Ambientes

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

The Domus collection is based on a statement by its creator "It is a collection that I would love to produce myself in a wood workshop due to its simplicity and robust shape" An exercise in simplicity, sobriety and character, with two details that define it, the cut of the leg and its encounter with the part of the envelope. The collection of coffee and side tables is completed with two-height stools.

The Domus collection is based on a statement by its creator "It is a collection that I would love to produce myself in a wood workshop due to its simplicity and robust shape" An exercise in simplicity, sobriety and character, with two details that define it, the cut of the leg and its encounter with the part of the envelope. The collection of coffee and side tables is completed with two-height stools.

The Domus collection is based on a statement by its creator "It is a collection that I would love to produce myself in a wood workshop due to its simplicity and robust shape" An exercise in simplicity, sobriety and character, with two details that define it, the cut of the leg and its encounter with the part of the envelope. The collection of coffee and side tables is completed with two-height stools.

The Domus collection is based on a statement by its creator "It is a collection that I would love to produce myself in a wood workshop due to its simplicity and robust shape" An exercise in simplicity, sobriety and character, with two details that define it, the cut of the leg and its encounter with the part of the envelope. The collection of coffee and side tables is completed with two-height stools.

The Domus collection is based on a statement by its creator "It is a collection that I would love to produce myself in a wood workshop due to its simplicity and robust shape" An exercise in simplicity, sobriety and character, with two details that define it, the cut of the leg and its encounter with the part of the envelope. The collection of coffee and side tables is completed with two-height stools.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. Contrasting with the solidity of the frame, the armchair has a timeless and functional bouclé fabric upholstery, woven with irregular yarn to achieve the rich, wavy texture of the surface. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. Contrasting with the solidity of the frame, the armchair has a timeless and functional bouclé fabric upholstery, woven with irregular yarn to achieve the rich, wavy texture of the surface. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. Contrasting with the solidity of the frame, the armchair has a timeless and functional bouclé fabric upholstery, woven with irregular yarn to achieve the rich, wavy texture of the surface. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. Contrasting with the solidity of the frame, the armchair has a timeless and functional bouclé fabric upholstery, woven with irregular yarn to achieve the rich, wavy texture of the surface. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. Contrasting with the solidity of the frame, the armchair has a timeless and functional bouclé fabric upholstery, woven with irregular yarn to achieve the rich, wavy texture of the surface. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. Contrasting with the solidity of the frame, the armchair has a timeless and functional bouclé fabric upholstery, woven with irregular yarn to achieve the rich, wavy texture of the surface. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.