Ambientes

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

This is perhaps the most celebrated work by one of the main pioneering masters of industrial design in Spain. This lamp was part of the first collection of TRAMO (Trabajos Molestos), the company founded by Miguel Milá to self-produce his work in post-war times in Spain, when he began rudimentarily with a profession that he would later develop with mastery, that of pre-war designer. -Industrial, looking for suitable solutions with the available technology. Annoying jobs, Milá's names are like his objects: their depth lies in their simplicity. And this representative of the TM family, Tra-mo Móvil, this time in Madera, is presented as its informal alternative, or blue jeans.

In an exquisite demonstration of formal serenity and functional efficiency, Miguel Milá managed to brilliantly separate the three essential elements of any lamp: its structure, its electrical components and its shade, in such a way that the user assembles them with extreme ease and allows for better maintenance during its very long useful life. And time beautifies it.

A cross-shaped base supports the first section of the shaft, square in section, which changes into a circular shape when it reaches its midpoint. The screen moves up and down through it, held at the desired height by the resistance of a simple O-ring. A true lesson in intelligence and good taste with the minimum use of components. This was the first Miguel Milá product to be reissued by Santa & Cole, in 1986, when it was already twenty-five years old, and today it presents a range of five different woods for its structure, and two shade colors, white or beige.

The small version of the Cesta lamp is defined by a smaller section in its wooden structure, always carefully polished and firmly assembled, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

The small version of the Cesta lamp is defined by a smaller section in its wooden structure, always carefully polished and firmly assembled, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

The small version of the Cesta lamp is defined by a smaller section in its wooden structure, always carefully polished and firmly assembled, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

The small version of the Cesta lamp is defined by a smaller section in its wooden structure, always carefully polished and firmly assembled, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

The small version of the Cesta lamp is defined by a smaller section in its wooden structure, always carefully polished and firmly assembled, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

The small version of the Cesta lamp is defined by a smaller section in its wooden structure, always carefully polished and firmly assembled, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

The small version of the Cesta lamp is defined by a smaller section in its wooden structure, always carefully polished and firmly assembled, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

The small version of the Cesta lamp is defined by a smaller section in its wooden structure, always carefully polished and firmly assembled, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

The small version of the Cesta lamp is defined by a smaller section in its wooden structure, always carefully polished and firmly assembled, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

The small version of the Cesta lamp is defined by a smaller section in its wooden structure, always carefully polished and firmly assembled, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

The small version of the Cesta lamp is defined by a smaller section in its wooden structure, always carefully polished and firmly assembled, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Bicoca was born with the optimism of brightening life and accompanying you in good times, wherever you go. This colorful, cordless, battery-powered, energy-efficient, lightweight, and portable lamp casts an intimate light that brings warmth to your personal space.

Made of polycarbonate, Bicoca is based on a superposition of basic geometric figures, with an adjustable screen to direct the light. It comes with three optional accessories that make it even more versatile: a magnet can be placed on its base to secure it to metal surfaces, even vertically, defying gravity. It also comes with an optional accessory that allows you to place it on the sofa or on the head of the bed and thus enjoy a pleasant atmosphere.

The wide range of colors adapt to different tastes and spaces. Bicoca is small, manageable, versatile and autonomous.

Bicoca was born with the optimism of brightening life and accompanying you in good times, wherever you go. This colorful, cordless, battery-powered, energy-efficient, lightweight, and portable lamp casts an intimate light that brings warmth to your personal space.

Made of polycarbonate, Bicoca is based on a superposition of basic geometric figures, with an adjustable screen to direct the light. It comes with three optional accessories that make it even more versatile: a magnet can be placed on its base to secure it to metal surfaces, even vertically, defying gravity. It also comes with an optional accessory that allows you to place it on the sofa or on the head of the bed and thus enjoy a pleasant atmosphere.

The wide range of colors adapt to different tastes and spaces. Bicoca is small, manageable, versatile and autonomous.

Bicoca was born with the optimism of brightening life and accompanying you in good times, wherever you go. This colorful, cordless, battery-powered, energy-efficient, lightweight, and portable lamp casts an intimate light that brings warmth to your personal space.

Made of polycarbonate, Bicoca is based on a superposition of basic geometric figures, with an adjustable screen to direct the light. It comes with three optional accessories that make it even more versatile: a magnet can be placed on its base to secure it to metal surfaces, even vertically, defying gravity. It also comes with an optional accessory that allows you to place it on the sofa or on the head of the bed and thus enjoy a pleasant atmosphere.

The wide range of colors adapt to different tastes and spaces. Bicoca is small, manageable, versatile and autonomous.

Bicoca was born with the optimism of brightening life and accompanying you in good times, wherever you go. This colorful, cordless, battery-powered, energy-efficient, lightweight, and portable lamp casts an intimate light that brings warmth to your personal space.

Made of polycarbonate, Bicoca is based on a superposition of basic geometric figures, with an adjustable screen to direct the light. It comes with three optional accessories that make it even more versatile: a magnet can be placed on its base to secure it to metal surfaces, even vertically, defying gravity. It also comes with an optional accessory that allows you to place it on the sofa or on the head of the bed and thus enjoy a pleasant atmosphere.

The wide range of colors adapt to different tastes and spaces. Bicoca is small, manageable, versatile and autonomous.

Bicoca was born with the optimism of brightening life and accompanying you in good times, wherever you go. This colorful, cordless, battery-powered, energy-efficient, lightweight, and portable lamp casts an intimate light that brings warmth to your personal space.

Made of polycarbonate, Bicoca is based on a superposition of basic geometric figures, with an adjustable screen to direct the light. It comes with three optional accessories that make it even more versatile: a magnet can be placed on its base to secure it to metal surfaces, even vertically, defying gravity. It also comes with an optional accessory that allows you to place it on the sofa or on the head of the bed and thus enjoy a pleasant atmosphere.

The wide range of colors adapt to different tastes and spaces. Bicoca is small, manageable, versatile and autonomous.

Bicoca was born with the optimism of brightening life and accompanying you in good times, wherever you go. This colorful, cordless, battery-powered, energy-efficient, lightweight, and portable lamp casts an intimate light that brings warmth to your personal space.

Made of polycarbonate, Bicoca is based on a superposition of basic geometric figures, with an adjustable screen to direct the light. It comes with three optional accessories that make it even more versatile: a magnet can be placed on its base to secure it to metal surfaces, even vertically, defying gravity. It also comes with an optional accessory that allows you to place it on the sofa or on the head of the bed and thus enjoy a pleasant atmosphere.

The wide range of colors adapt to different tastes and spaces. Bicoca is small, manageable, versatile and autonomous.

Bicoca was born with the optimism of brightening life and accompanying you in good times, wherever you go. This colorful, cordless, battery-powered, energy-efficient, lightweight, and portable lamp casts an intimate light that brings warmth to your personal space.

Made of polycarbonate, Bicoca is based on a superposition of basic geometric figures, with an adjustable screen to direct the light. It comes with three optional accessories that make it even more versatile: a magnet can be placed on its base to secure it to metal surfaces, even vertically, defying gravity. It also comes with an optional accessory that allows you to place it on the sofa or on the head of the bed and thus enjoy a pleasant atmosphere.

The wide range of colors adapt to different tastes and spaces. Bicoca is small, manageable, versatile and autonomous.

Bicoca was born with the optimism of brightening life and accompanying you in good times, wherever you go. This colorful, cordless, battery-powered, energy-efficient, lightweight, and portable lamp casts an intimate light that brings warmth to your personal space.

Made of polycarbonate, Bicoca is based on a superposition of basic geometric figures, with an adjustable screen to direct the light. It comes with three optional accessories that make it even more versatile: a magnet can be placed on its base to secure it to metal surfaces, even vertically, defying gravity. It also comes with an optional accessory that allows you to place it on the sofa or on the head of the bed and thus enjoy a pleasant atmosphere.

The wide range of colors adapt to different tastes and spaces. Bicoca is small, manageable, versatile and autonomous.

Few lamps have given as much play as the FollowMe. A pioneer of portable lighting, this bold luminaire has become a design icon.
Its simple and light shapes, its tilting shade and the different light intensities have established it as a beautiful and practical lamp. In addition to the version in wood finish, it is released in different colors: pink, blue, terracotta and green. The handle is still made of wood, in this case painted.

The colors of the FollowMe multiply its possibilities: pink or blue bring the design closer to the world of children, offering the same type of friendly light with a palette of soft colors that provide serenity. The green and terracotta colors are intense and sophisticated, and they want to provide a point of color in any environment.
A colorful and playful collection of this charismatic lamp, where perhaps the most difficult thing will be to choose which one we prefer.

The oak handle invites you to pick them up, they have a tilting white polycarbonate shade that also offers direct light for reading. They have a dimmer that regulates the intensity in three positions. They are autonomous and cordless, they work with a lithium ion battery of maximum efficiency that allows a duration of 5 to 20 hours and have a micro USB input that facilitates recharging.

Few lamps have given as much play as the FollowMe. A pioneer of portable lighting, this bold luminaire has become a design icon.
Its simple and light shapes, its tilting shade and the different light intensities have established it as a beautiful and practical lamp. In addition to the version in wood finish, it is released in different colors: pink, blue, terracotta and green. The handle is still made of wood, in this case painted.

The colors of the FollowMe multiply its possibilities: pink or blue bring the design closer to the world of children, offering the same type of friendly light with a palette of soft colors that provide serenity. The green and terracotta colors are intense and sophisticated, and they want to provide a point of color in any environment.
A colorful and playful collection of this charismatic lamp, where perhaps the most difficult thing will be to choose which one we prefer.

The oak handle invites you to pick them up, they have a tilting white polycarbonate shade that also offers direct light for reading. They have a dimmer that regulates the intensity in three positions. They are autonomous and cordless, they work with a lithium ion battery of maximum efficiency that allows a duration of 5 to 20 hours and have a micro USB input that facilitates recharging.

Few lamps have given as much play as the FollowMe. A pioneer of portable lighting, this bold luminaire has become a design icon.
Its simple and light shapes, its tilting shade and the different light intensities have established it as a beautiful and practical lamp. In addition to the version in wood finish, it is released in different colors: pink, blue, terracotta and green. The handle is still made of wood, in this case painted.

The colors of the FollowMe multiply its possibilities: pink or blue bring the design closer to the world of children, offering the same type of friendly light with a palette of soft colors that provide serenity. The green and terracotta colors are intense and sophisticated, and they want to provide a point of color in any environment.
A colorful and playful collection of this charismatic lamp, where perhaps the most difficult thing will be to choose which one we prefer.

The oak handle invites you to pick them up, they have a tilting white polycarbonate shade that also offers direct light for reading. They have a dimmer that regulates the intensity in three positions. They are autonomous and cordless, they work with a lithium ion battery of maximum efficiency that allows a duration of 5 to 20 hours and have a micro USB input that facilitates recharging.

Few lamps have given as much play as the FollowMe. A pioneer of portable lighting, this bold luminaire has become a design icon.
Its simple and light shapes, its tilting shade and the different light intensities have established it as a beautiful and practical lamp. In addition to the version in wood finish, it is released in different colors: pink, blue, terracotta and green. The handle is still made of wood, in this case painted.

The colors of the FollowMe multiply its possibilities: pink or blue bring the design closer to the world of children, offering the same type of friendly light with a palette of soft colors that provide serenity. The green and terracotta colors are intense and sophisticated, and they want to provide a point of color in any environment.
A colorful and playful collection of this charismatic lamp, where perhaps the most difficult thing will be to choose which one we prefer.

The oak handle invites you to pick them up, they have a tilting white polycarbonate shade that also offers direct light for reading. They have a dimmer that regulates the intensity in three positions. They are autonomous and cordless, they work with a lithium ion battery of maximum efficiency that allows a duration of 5 to 20 hours and have a micro USB input that facilitates recharging.

Few lamps have given as much play as the FollowMe. A pioneer of portable lighting, this bold luminaire has become a design icon.
Its simple and light shapes, its tilting shade and the different light intensities have established it as a beautiful and practical lamp. In addition to the version in wood finish, it is released in different colors: pink, blue, terracotta and green. The handle is still made of wood, in this case painted.

The colors of the FollowMe multiply its possibilities: pink or blue bring the design closer to the world of children, offering the same type of friendly light with a palette of soft colors that provide serenity. The green and terracotta colors are intense and sophisticated, and they want to provide a point of color in any environment.
A colorful and playful collection of this charismatic lamp, where perhaps the most difficult thing will be to choose which one we prefer.

The oak handle invites you to pick them up, they have a tilting white polycarbonate shade that also offers direct light for reading. They have a dimmer that regulates the intensity in three positions. They are autonomous and cordless, they work with a lithium ion battery of maximum efficiency that allows a duration of 5 to 20 hours and have a micro USB input that facilitates recharging.

Few lamps have given as much play as the FollowMe. A pioneer of portable lighting, this bold luminaire has become a design icon.
Its simple and light shapes, its tilting shade and the different light intensities have established it as a beautiful and practical lamp. In addition to the version in wood finish, it is released in different colors: pink, blue, terracotta and green. The handle is still made of wood, in this case painted.

The colors of the FollowMe multiply its possibilities: pink or blue bring the design closer to the world of children, offering the same type of friendly light with a palette of soft colors that provide serenity. The green and terracotta colors are intense and sophisticated, and they want to provide a point of color in any environment.
A colorful and playful collection of this charismatic lamp, where perhaps the most difficult thing will be to choose which one we prefer.

The oak handle invites you to pick them up, they have a tilting white polycarbonate shade that also offers direct light for reading. They have a dimmer that regulates the intensity in three positions. They are autonomous and cordless, they work with a lithium ion battery of maximum efficiency that allows a duration of 5 to 20 hours and have a micro USB input that facilitates recharging.

Few lamps have given as much play as the FollowMe. A pioneer of portable lighting, this bold luminaire has become a design icon.
Its simple and light shapes, its tilting shade and the different light intensities have established it as a beautiful and practical lamp. In addition to the version in wood finish, it is released in different colors: pink, blue, terracotta and green. The handle is still made of wood, in this case painted.

The colors of the FollowMe multiply its possibilities: pink or blue bring the design closer to the world of children, offering the same type of friendly light with a palette of soft colors that provide serenity. The green and terracotta colors are intense and sophisticated, and they want to provide a point of color in any environment.
A colorful and playful collection of this charismatic lamp, where perhaps the most difficult thing will be to choose which one we prefer.

The oak handle invites you to pick them up, they have a tilting white polycarbonate shade that also offers direct light for reading. They have a dimmer that regulates the intensity in three positions. They are autonomous and cordless, they work with a lithium ion battery of maximum efficiency that allows a duration of 5 to 20 hours and have a micro USB input that facilitates recharging.

Few lamps have given as much play as the FollowMe. A pioneer of portable lighting, this bold luminaire has become a design icon.
Its simple and light shapes, its tilting shade and the different light intensities have established it as a beautiful and practical lamp. In addition to the version in wood finish, it is released in different colors: pink, blue, terracotta and green. The handle is still made of wood, in this case painted.

The colors of the FollowMe multiply its possibilities: pink or blue bring the design closer to the world of children, offering the same type of friendly light with a palette of soft colors that provide serenity. The green and terracotta colors are intense and sophisticated, and they want to provide a point of color in any environment.
A colorful and playful collection of this charismatic lamp, where perhaps the most difficult thing will be to choose which one we prefer.

The oak handle invites you to pick them up, they have a tilting white polycarbonate shade that also offers direct light for reading. They have a dimmer that regulates the intensity in three positions. They are autonomous and cordless, they work with a lithium ion battery of maximum efficiency that allows a duration of 5 to 20 hours and have a micro USB input that facilitates recharging.

Few lamps have given as much play as the FollowMe. A pioneer of portable lighting, this bold luminaire has become a design icon.
Its simple and light shapes, its tilting shade and the different light intensities have established it as a beautiful and practical lamp. In addition to the version in wood finish, it is released in different colors: pink, blue, terracotta and green. The handle is still made of wood, in this case painted.

The colors of the FollowMe multiply its possibilities: pink or blue bring the design closer to the world of children, offering the same type of friendly light with a palette of soft colors that provide serenity. The green and terracotta colors are intense and sophisticated, and they want to provide a point of color in any environment.
A colorful and playful collection of this charismatic lamp, where perhaps the most difficult thing will be to choose which one we prefer.

The oak handle invites you to pick them up, they have a tilting white polycarbonate shade that also offers direct light for reading. They have a dimmer that regulates the intensity in three positions. They are autonomous and cordless, they work with a lithium ion battery of maximum efficiency that allows a duration of 5 to 20 hours and have a micro USB input that facilitates recharging.

Few lamps have given as much play as the FollowMe. A pioneer of portable lighting, this bold luminaire has become a design icon.
Its simple and light shapes, its tilting shade and the different light intensities have established it as a beautiful and practical lamp. In addition to the version in wood finish, it is released in different colors: pink, blue, terracotta and green. The handle is still made of wood, in this case painted.

The colors of the FollowMe multiply its possibilities: pink or blue bring the design closer to the world of children, offering the same type of friendly light with a palette of soft colors that provide serenity. The green and terracotta colors are intense and sophisticated, and they want to provide a point of color in any environment.
A colorful and playful collection of this charismatic lamp, where perhaps the most difficult thing will be to choose which one we prefer.

The oak handle invites you to pick them up, they have a tilting white polycarbonate shade that also offers direct light for reading. They have a dimmer that regulates the intensity in three positions. They are autonomous and cordless, they work with a lithium ion battery of maximum efficiency that allows a duration of 5 to 20 hours and have a micro USB input that facilitates recharging.

Few lamps have given as much play as the FollowMe. A pioneer of portable lighting, this bold luminaire has become a design icon.
Its simple and light shapes, its tilting shade and the different light intensities have established it as a beautiful and practical lamp. In addition to the version in wood finish, it is released in different colors: pink, blue, terracotta and green. The handle is still made of wood, in this case painted.

The colors of the FollowMe multiply its possibilities: pink or blue bring the design closer to the world of children, offering the same type of friendly light with a palette of soft colors that provide serenity. The green and terracotta colors are intense and sophisticated, and they want to provide a point of color in any environment.
A colorful and playful collection of this charismatic lamp, where perhaps the most difficult thing will be to choose which one we prefer.

The oak handle invites you to pick them up, they have a tilting white polycarbonate shade that also offers direct light for reading. They have a dimmer that regulates the intensity in three positions. They are autonomous and cordless, they work with a lithium ion battery of maximum efficiency that allows a duration of 5 to 20 hours and have a micro USB input that facilitates recharging.

Few lamps have given as much play as the FollowMe. A pioneer of portable lighting, this bold luminaire has become a design icon.
Its simple and light shapes, its tilting shade and the different light intensities have established it as a beautiful and practical lamp. In addition to the version in wood finish, it is released in different colors: pink, blue, terracotta and green. The handle is still made of wood, in this case painted.

The colors of the FollowMe multiply its possibilities: pink or blue bring the design closer to the world of children, offering the same type of friendly light with a palette of soft colors that provide serenity. The green and terracotta colors are intense and sophisticated, and they want to provide a point of color in any environment.
A colorful and playful collection of this charismatic lamp, where perhaps the most difficult thing will be to choose which one we prefer.

The oak handle invites you to pick them up, they have a tilting white polycarbonate shade that also offers direct light for reading. They have a dimmer that regulates the intensity in three positions. They are autonomous and cordless, they work with a lithium ion battery of maximum efficiency that allows a duration of 5 to 20 hours and have a micro USB input that facilitates recharging.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

In 1958, Poul Henningsen designed the PH 5, in response to the constant changes that manufacturers were introducing in the size and shape of incandescent bulbs, and named it based on the diameter of the main shade of this suspension lamp: 50 centimeters. True to his controversial style, when the lamp was launched on the market, he wrote down his crisis of faith towards the producers of incandescent light bulbs, from whom he did not expect to learn to show common sense or consideration towards the client: "I have given up destination and, with the permission of Louis Poulsen, I have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, in its current form, a fluorescent tube would be too much to ask!” At the time, no one knew that PH 5 would become a benchmark in the PH legacy, and as such it remains a fully glare-free product, regardless of how it is installed or the light source used.

The PH 5 continues today to bring a leap of elegance to the most modern interiors in a wide range of colours. In 2020, the range was expanded with monochrome versions in black, white and ultra blue. In 2022, we are introducing the PH 5 range in pastel tones, with monochrome models in Oyster Gray and Pale Rose, as well as two color combination versions that capture current interior trends: Oyster Grey/Blue/Pale Rose, as well as Blue/Pale Rose/Peach.

*Currently the versions with Copper or Brass finish have a delivery time of more than 12 weeks.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

Una luz audaz con un arco escultórico que recuerda a las columnas antiguas. La lámpara Vuelta está hecha de vidrio opalino con una superficie ondulada que le da una atractiva textura a la pieza. Diseñada con una fuente de luz LED que emite una luz suave y difusa, también cuenta con un regulador de intensidad ajustable para un máximo control del ambiente. Úsala como lámpara decorativa en un rincón oscuro o en un estante para iluminar una colección de libros.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Walking around Barcelona in the 1960s, the designer Miguel Milá found an opaline globe abandoned in front of a glass factory. He decided to take him in and ended up becoming, over the years, the epicenter of a large family. As its name indicates, Cesta arose as a response to the need to embrace that fragile piece.

Based on the traditional lantern that illuminates houses on the coast, country estates and open terraces, the Basket is one of the most iconic lamps created by Miguel Milá. This object-lamp finds its place either on a table or on the floor, a light that accompanies. Composed of a subtle cherry structure that protects the opal glass globe, diffuser of its light.
It is produced manually, by European artisans, using the traditional techniques of steaming wood for its bending, which is carefully polished and firmly assembled. And despite its peculiarity, or precisely because of it, its appearance and its function are still fully valid today.

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Cestita Batería is the new member of the Cesta family: a portable and cordless version. As with all Milá objects, this version defends industrial craftsmanship by balancing rational functionalism and the legacy of local craftsmanship. In this new addition to the family, technology helps to enhance its features, those of the object-lamp that it accompanies. Maintaining the warmth typical of your family, it is made up of a subtle structure that protects the opal glass globe, which diffuses its light. It is produced and assembled manually, by European artisans, using the traditional techniques of steaming wood for its bending and the traditional blowing of its opal glass globe.

The lamp connects with the spirit of the company Tramo (Troublesome Jobs) founded by Milá in the early sixties to self-produce his pieces: objects of all kinds, simple and essential that help make a house a home. .

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

El aplique TMM forma parte de la colección de TRAMO, Trabajos Molestos, la empresa que fundó Miguel Milá para autoproducir su obra en tiempos de posguerra en España. Empezaba rudimentariamente con una profesión que luego desarrollaría con maestría, la de diseñador pre-industrial, buscando soluciones adecuadas con la tecnología disponible. Tra-bajos Mo-lestos, los nombres de Milá son como sus objetos: su profundidad radica en su sencillez.
Los apliques de la serie TMM consisten en una sencilla canaleta de madera de haya o nogal con pantalla de cartulina.
En una exquisita demostración de serenidad formal y eficacia funcional, Miguel Milá consiguió dar una verdadera lección de inteligencia y buen gusto con el mínimo uso de componentes.

El aplique corto puede solicitarse con el cable exterior, que actúa como tirador del interruptor, o bien con conexión directa desde la pared.

El aplique TMM forma parte de la colección de TRAMO, Trabajos Molestos, la empresa que fundó Miguel Milá para autoproducir su obra en tiempos de posguerra en España. Empezaba rudimentariamente con una profesión que luego desarrollaría con maestría, la de diseñador pre-industrial, buscando soluciones adecuadas con la tecnología disponible. Tra-bajos Mo-lestos, los nombres de Milá son como sus objetos: su profundidad radica en su sencillez.
Los apliques de la serie TMM consisten en una sencilla canaleta de madera de haya o nogal con pantalla de cartulina.
En una exquisita demostración de serenidad formal y eficacia funcional, Miguel Milá consiguió dar una verdadera lección de inteligencia y buen gusto con el mínimo uso de componentes.

El aplique corto puede solicitarse con el cable exterior, que actúa como tirador del interruptor, o bien con conexión directa desde la pared.

El aplique TMM forma parte de la colección de TRAMO, Trabajos Molestos, la empresa que fundó Miguel Milá para autoproducir su obra en tiempos de posguerra en España. Empezaba rudimentariamente con una profesión que luego desarrollaría con maestría, la de diseñador pre-industrial, buscando soluciones adecuadas con la tecnología disponible. Tra-bajos Mo-lestos, los nombres de Milá son como sus objetos: su profundidad radica en su sencillez.
Los apliques de la serie TMM consisten en una sencilla canaleta de madera de haya o nogal con pantalla de cartulina.
En una exquisita demostración de serenidad formal y eficacia funcional, Miguel Milá consiguió dar una verdadera lección de inteligencia y buen gusto con el mínimo uso de componentes.

El aplique corto puede solicitarse con el cable exterior, que actúa como tirador del interruptor, o bien con conexión directa desde la pared.

El aplique TMM forma parte de la colección de TRAMO, Trabajos Molestos, la empresa que fundó Miguel Milá para autoproducir su obra en tiempos de posguerra en España. Empezaba rudimentariamente con una profesión que luego desarrollaría con maestría, la de diseñador pre-industrial, buscando soluciones adecuadas con la tecnología disponible. Tra-bajos Mo-lestos, los nombres de Milá son como sus objetos: su profundidad radica en su sencillez.
Los apliques de la serie TMM consisten en una sencilla canaleta de madera de haya o nogal con pantalla de cartulina.
En una exquisita demostración de serenidad formal y eficacia funcional, Miguel Milá consiguió dar una verdadera lección de inteligencia y buen gusto con el mínimo uso de componentes.

El aplique corto puede solicitarse con el cable exterior, que actúa como tirador del interruptor, o bien con conexión directa desde la pared.

El aplique TMM forma parte de la colección de TRAMO, Trabajos Molestos, la empresa que fundó Miguel Milá para autoproducir su obra en tiempos de posguerra en España. Empezaba rudimentariamente con una profesión que luego desarrollaría con maestría, la de diseñador pre-industrial, buscando soluciones adecuadas con la tecnología disponible. Tra-bajos Mo-lestos, los nombres de Milá son como sus objetos: su profundidad radica en su sencillez.
Los apliques de la serie TMM consisten en una sencilla canaleta de madera de haya o nogal con pantalla de cartulina.
En una exquisita demostración de serenidad formal y eficacia funcional, Miguel Milá consiguió dar una verdadera lección de inteligencia y buen gusto con el mínimo uso de componentes.

El aplique corto puede solicitarse con el cable exterior, que actúa como tirador del interruptor, o bien con conexión directa desde la pared.