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As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

A stylish side table that offers endless possibilities and is equally beautiful as a nightstand or side table in any room. This table is slightly taller than the rest of the Handvark coffee table collection and can be added as a new layer to a 60's or 90's Coffee Table set.

A stylish side table that offers endless possibilities and is equally beautiful as a nightstand or side table in any room. This table is slightly taller than the rest of the Handvark coffee table collection and can be added as a new layer to a 60's or 90's Coffee Table set.

A stylish side table that offers endless possibilities and is equally beautiful as a nightstand or side table in any room. This table is slightly taller than the rest of the Handvark coffee table collection and can be added as a new layer to a 60's or 90's Coffee Table set.

A stylish side table that offers endless possibilities and is equally beautiful as a nightstand or side table in any room. This table is slightly taller than the rest of the Handvark coffee table collection and can be added as a new layer to a 60's or 90's Coffee Table set.

A stylish side table that offers endless possibilities and is equally beautiful as a nightstand or side table in any room. This table is slightly taller than the rest of the Handvark coffee table collection and can be added as a new layer to a 60's or 90's Coffee Table set.

A stylish side table that offers endless possibilities and is equally beautiful as a nightstand or side table in any room. This table is slightly taller than the rest of the Handvark coffee table collection and can be added as a new layer to a 60's or 90's Coffee Table set.

A stylish side table that offers endless possibilities and is equally beautiful as a nightstand or side table in any room. This table is slightly taller than the rest of the Handvark coffee table collection and can be added as a new layer to a 60's or 90's Coffee Table set.

A stylish side table that offers endless possibilities and is equally beautiful as a nightstand or side table in any room. This table is slightly taller than the rest of the Handvark coffee table collection and can be added as a new layer to a 60's or 90's Coffee Table set.

A stylish side table that offers endless possibilities and is equally beautiful as a nightstand or side table in any room. This table is slightly taller than the rest of the Handvark coffee table collection and can be added as a new layer to a 60's or 90's Coffee Table set.

A stylish side table that offers endless possibilities and is equally beautiful as a nightstand or side table in any room. This table is slightly taller than the rest of the Handvark coffee table collection and can be added as a new layer to a 60's or 90's Coffee Table set.

A stylish side table that offers endless possibilities and is equally beautiful as a nightstand or side table in any room. This table is slightly taller than the rest of the Handvark coffee table collection and can be added as a new layer to a 60's or 90's Coffee Table set.

A stylish side table that offers endless possibilities and is equally beautiful as a nightstand or side table in any room. This table is slightly taller than the rest of the Handvark coffee table collection and can be added as a new layer to a 60's or 90's Coffee Table set.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

With its organic and flowing shape, the Forma wool rug has a very distinctive yet soft expression. Made with soft New Zealand wool and with a high thread count, the rug has a monochrome contribution of color and a very enveloping feel. Use the Forma wool rug to give your living room a subtle artistic touch and a nice texture, or place it in the bedroom to ensure that the first thing you step on in the morning is a cozy and luxurious rug.

With its organic and flowing shape, the Forma wool rug has a very distinctive yet soft expression. Made with soft New Zealand wool and with a high thread count, the rug has a monochrome contribution of color and a very enveloping feel. Use the Forma wool rug to give your living room a subtle artistic touch and a nice texture, or place it in the bedroom to ensure that the first thing you step on in the morning is a cozy and luxurious rug.

With its organic and flowing shape, the Forma wool rug has a very distinctive yet soft expression. Made with soft New Zealand wool and with a high thread count, the rug has a monochrome contribution of color and a very enveloping feel. Use the Forma wool rug to give your living room a subtle artistic touch and a nice texture, or place it in the bedroom to ensure that the first thing you step on in the morning is a cozy and luxurious rug.

With its organic and flowing shape, the Forma wool rug has a very distinctive yet soft expression. Made with soft New Zealand wool and with a high thread count, the rug has a monochrome contribution of color and a very enveloping feel. Use the Forma wool rug to give your living room a subtle artistic touch and a nice texture, or place it in the bedroom to ensure that the first thing you step on in the morning is a cozy and luxurious rug.

With its organic and flowing shape, the Forma wool rug has a very distinctive yet soft expression. Made with soft New Zealand wool and with a high thread count, the rug has a monochrome contribution of color and a very enveloping feel. Use the Forma wool rug to give your living room a subtle artistic touch and a nice texture, or place it in the bedroom to ensure that the first thing you step on in the morning is a cozy and luxurious rug.

Last units!

Like the rest of the pieces in the Herman collection, this refined armchair is made of solid FSC-certified wood. The design features a generous base and gently undulating back that hugs the body for maximum seating comfort. Elevating its timeless exclusivity, this version features high-quality Bouclé-finish upholstery for greater comfort. Produced in collaboration with the Danish design studio Herman Studio.

Last units!

Like the rest of the pieces in the Herman collection, this refined armchair is made of solid FSC-certified wood. The design features a generous base and gently undulating back that hugs the body for maximum seating comfort. Elevating its timeless exclusivity, this version features high-quality Bouclé-finish upholstery for greater comfort. Produced in collaboration with the Danish design studio Herman Studio.

Last units!

Like the rest of the pieces in the Herman collection, this refined armchair is made of solid FSC-certified wood. The design features a generous base and gently undulating back that hugs the body for maximum seating comfort. Elevating its timeless exclusivity, this version features high-quality Bouclé-finish upholstery for greater comfort. Produced in collaboration with the Danish design studio Herman Studio.

Last units!

Like the rest of the pieces in the Herman collection, this refined armchair is made of solid FSC-certified wood. The design features a generous base and gently undulating back that hugs the body for maximum seating comfort. Elevating its timeless exclusivity, this version features high-quality Bouclé-finish upholstery for greater comfort. Produced in collaboration with the Danish design studio Herman Studio.

Last units!

Like the rest of the pieces in the Herman collection, this refined armchair is made of solid FSC-certified wood. The design features a generous base and gently undulating back that hugs the body for maximum seating comfort. Elevating its timeless exclusivity, this version features high-quality Bouclé-finish upholstery for greater comfort. Produced in collaboration with the Danish design studio Herman Studio.

Last units!

Like the rest of the pieces in the Herman collection, this refined armchair is made of solid FSC-certified wood. The design features a generous base and gently undulating back that hugs the body for maximum seating comfort. Elevating its timeless exclusivity, this version features high-quality Bouclé-finish upholstery for greater comfort. Produced in collaboration with the Danish design studio Herman Studio.

Last units!

Like the rest of the pieces in the Herman collection, this refined armchair is made of solid FSC-certified wood. The design features a generous base and gently undulating back that hugs the body for maximum seating comfort. Elevating its timeless exclusivity, this version features high-quality Bouclé-finish upholstery for greater comfort. Produced in collaboration with the Danish design studio Herman Studio.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

The strict horizontal lines, together with its slim powder-coated metal legs, give this daybed a light and elegant look. Fitted with two leather harness-like belts as a fresh, modern detail, adding to the premium feel and keeping the cushion firmly in place. Flip the reversible two-tone cushion to create an understated, classic expression or a bolder, more distinctive one, depending on your personal mood or style.

The strict horizontal lines, together with its slim powder-coated metal legs, give this daybed a light and elegant look. Fitted with two leather harness-like belts as a fresh, modern detail, adding to the premium feel and keeping the cushion firmly in place. Flip the reversible two-tone cushion to create an understated, classic expression or a bolder, more distinctive one, depending on your personal mood or style.

The strict horizontal lines, together with its slim powder-coated metal legs, give this daybed a light and elegant look. Fitted with two leather harness-like belts as a fresh, modern detail, adding to the premium feel and keeping the cushion firmly in place. Flip the reversible two-tone cushion to create an understated, classic expression or a bolder, more distinctive one, depending on your personal mood or style.

The strict horizontal lines, together with its slim powder-coated metal legs, give this daybed a light and elegant look. Fitted with two leather harness-like belts as a fresh, modern detail, adding to the premium feel and keeping the cushion firmly in place. Flip the reversible two-tone cushion to create an understated, classic expression or a bolder, more distinctive one, depending on your personal mood or style.

The strict horizontal lines, together with its slim powder-coated metal legs, give this daybed a light and elegant look. Fitted with two leather harness-like belts as a fresh, modern detail, adding to the premium feel and keeping the cushion firmly in place. Flip the reversible two-tone cushion to create an understated, classic expression or a bolder, more distinctive one, depending on your personal mood or style.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

The Domus collection is based on a statement by its creator "It is a collection that I would love to produce myself in a wood workshop due to its simplicity and robust shape" An exercise in simplicity, sobriety and character, with two details that define it, the cut of the leg and its encounter with the part of the envelope. The collection of coffee and side tables is completed with two-height stools.

The Domus collection is based on a statement by its creator "It is a collection that I would love to produce myself in a wood workshop due to its simplicity and robust shape" An exercise in simplicity, sobriety and character, with two details that define it, the cut of the leg and its encounter with the part of the envelope. The collection of coffee and side tables is completed with two-height stools.

The Domus collection is based on a statement by its creator "It is a collection that I would love to produce myself in a wood workshop due to its simplicity and robust shape" An exercise in simplicity, sobriety and character, with two details that define it, the cut of the leg and its encounter with the part of the envelope. The collection of coffee and side tables is completed with two-height stools.

The Domus collection is based on a statement by its creator "It is a collection that I would love to produce myself in a wood workshop due to its simplicity and robust shape" An exercise in simplicity, sobriety and character, with two details that define it, the cut of the leg and its encounter with the part of the envelope. The collection of coffee and side tables is completed with two-height stools.

The Domus collection is based on a statement by its creator "It is a collection that I would love to produce myself in a wood workshop due to its simplicity and robust shape" An exercise in simplicity, sobriety and character, with two details that define it, the cut of the leg and its encounter with the part of the envelope. The collection of coffee and side tables is completed with two-height stools.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. Contrasting with the solidity of the frame, the armchair has a timeless and functional bouclé fabric upholstery, woven with irregular yarn to achieve the rich, wavy texture of the surface. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. Contrasting with the solidity of the frame, the armchair has a timeless and functional bouclé fabric upholstery, woven with irregular yarn to achieve the rich, wavy texture of the surface. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. Contrasting with the solidity of the frame, the armchair has a timeless and functional bouclé fabric upholstery, woven with irregular yarn to achieve the rich, wavy texture of the surface. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. Contrasting with the solidity of the frame, the armchair has a timeless and functional bouclé fabric upholstery, woven with irregular yarn to achieve the rich, wavy texture of the surface. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.