Ambientes
Descubre nuestros productos en un contexto real y encuentra la inspiración que necesitas.
Adéntrate en una experiencia única donde podrás explorar nuestros productos de diseño en un entorno real. Visualiza cómo encajan en tu hogar y descubre su versatilidad. Déjate inspirar por las distintas opciones y encuentra los muebles que mejor se adaptan a tus gustos y necesidades.
Explora, imagina y crea tu hogar ideal.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
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Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
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Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
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Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
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Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Oyster Wall Lamp
Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.
Ver producto relacionado
Oyster Wall Lamp
Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.
Ver producto relacionado
Oyster Wall Lamp
Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.
Ver producto relacionado
Oyster Wall Lamp
Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.
Ver producto relacionado
Oyster Wall Lamp
Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.
Ver producto relacionado
Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
Ver producto relacionado
Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
Ver producto relacionado
Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
Ver producto relacionado
Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
Ver producto relacionado
Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
Ver producto relacionado
Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
Ver producto relacionado
Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Barcelona Mini Clock
The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.
The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.
Barcelona Mini Clock
The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.
The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.
Barcelona Mini Clock
The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.
The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.
Barcelona Mini Clock
The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.
The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.
Barcelona Mini Clock
The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.
The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.
Barcelona Mini Clock
The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.
The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Deneb table
The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.
Characteristics:
- Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
- Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any setting.
- Tops: the veneered wood tops are for interiors and are made with formaldehyde-free MDF.
- Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.
Cojín Crease Wool
El cojín Crease Wool es la esencia de la sofisticación y la comodidad. Inspirado en las líneas limpias de la arquitectura moderna, su diseño minimalista aporta un toque de elegancia atemporal.
Tejido a mano con lana de Nueva Zelanda de alta calidad, la parte delantera del cojín presenta una mezcla única de lana de pelo largo y tejido plano, creando una textura visualmente atractiva. La parte posterior se mantiene tejida de forma plana, proporcionando un contraste interesante. Para realzar su exclusividad, el cojín Crease Wool se completa con intrincados detalles cosidos en la parte superior a lo largo de los bordes, un toque de distinción y artesanía que eleva la pieza.
Relleno de plumas y plumón, este cojín no solo es visualmente atractivo, sino que también ofrece una comodidad inigualable, perfecto para acurrucarse en el sofá o añadir un toque de estilo a la cama.
Cojín Crease Wool
El cojín Crease Wool es la esencia de la sofisticación y la comodidad. Inspirado en las líneas limpias de la arquitectura moderna, su diseño minimalista aporta un toque de elegancia atemporal.
Tejido a mano con lana de Nueva Zelanda de alta calidad, la parte delantera del cojín presenta una mezcla única de lana de pelo largo y tejido plano, creando una textura visualmente atractiva. La parte posterior se mantiene tejida de forma plana, proporcionando un contraste interesante. Para realzar su exclusividad, el cojín Crease Wool se completa con intrincados detalles cosidos en la parte superior a lo largo de los bordes, un toque de distinción y artesanía que eleva la pieza.
Relleno de plumas y plumón, este cojín no solo es visualmente atractivo, sino que también ofrece una comodidad inigualable, perfecto para acurrucarse en el sofá o añadir un toque de estilo a la cama.
Cojín Crease Wool
El cojín Crease Wool es la esencia de la sofisticación y la comodidad. Inspirado en las líneas limpias de la arquitectura moderna, su diseño minimalista aporta un toque de elegancia atemporal.
Tejido a mano con lana de Nueva Zelanda de alta calidad, la parte delantera del cojín presenta una mezcla única de lana de pelo largo y tejido plano, creando una textura visualmente atractiva. La parte posterior se mantiene tejida de forma plana, proporcionando un contraste interesante. Para realzar su exclusividad, el cojín Crease Wool se completa con intrincados detalles cosidos en la parte superior a lo largo de los bordes, un toque de distinción y artesanía que eleva la pieza.
Relleno de plumas y plumón, este cojín no solo es visualmente atractivo, sino que también ofrece una comodidad inigualable, perfecto para acurrucarse en el sofá o añadir un toque de estilo a la cama.
Cojín Part
Los cojines Part de Ferm Living son la encarnación de la simplicidad y la elegancia. Inspirados en la tradicional técnica coreana Pojagi, estos cojines están confeccionados con un mosaico contemporáneo de cuadrados de lino puro y algodón orgánico, creando una textura única y muy agradable al tacto.
Su diseño ligero y aireado lo convierte en la pieza ideal para añadir un toque de frescura y comodidad a cualquier espacio de su hogar, desde el salón hasta el dormitorio. La combinación de lino y algodón ligeramente transparente del cojín Part crea un efecto de color intrigante que añade un toque de personalidad a su decoración.
El cojín Part está elaborado con materiales naturales y sostenibles, como el lino y el algodón orgánico. Estos materiales son suaves, transpirables y duraderos, lo que garantiza que su cojín le acompañará durante mucho tiempo.
Cojín Part
Los cojines Part de Ferm Living son la encarnación de la simplicidad y la elegancia. Inspirados en la tradicional técnica coreana Pojagi, estos cojines están confeccionados con un mosaico contemporáneo de cuadrados de lino puro y algodón orgánico, creando una textura única y muy agradable al tacto.
Su diseño ligero y aireado lo convierte en la pieza ideal para añadir un toque de frescura y comodidad a cualquier espacio de su hogar, desde el salón hasta el dormitorio. La combinación de lino y algodón ligeramente transparente del cojín Part crea un efecto de color intrigante que añade un toque de personalidad a su decoración.
El cojín Part está elaborado con materiales naturales y sostenibles, como el lino y el algodón orgánico. Estos materiales son suaves, transpirables y duraderos, lo que garantiza que su cojín le acompañará durante mucho tiempo.
Cojín Part
Los cojines Part de Ferm Living son la encarnación de la simplicidad y la elegancia. Inspirados en la tradicional técnica coreana Pojagi, estos cojines están confeccionados con un mosaico contemporáneo de cuadrados de lino puro y algodón orgánico, creando una textura única y muy agradable al tacto.
Su diseño ligero y aireado lo convierte en la pieza ideal para añadir un toque de frescura y comodidad a cualquier espacio de su hogar, desde el salón hasta el dormitorio. La combinación de lino y algodón ligeramente transparente del cojín Part crea un efecto de color intrigante que añade un toque de personalidad a su decoración.
El cojín Part está elaborado con materiales naturales y sostenibles, como el lino y el algodón orgánico. Estos materiales son suaves, transpirables y duraderos, lo que garantiza que su cojín le acompañará durante mucho tiempo.
Lámpara de techo Vuelta 100
La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.
Lámpara de techo Vuelta 100
La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.
Lámpara de techo Vuelta 100
La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.
Lámpara de techo Vuelta 100
La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.
Lámpara de techo Vuelta 100
La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.
Lámpara de techo Vuelta
La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.
Lámpara de techo Vuelta
La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.
Lámpara de techo Vuelta
La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.
Lámpara de techo Vuelta
La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.
Lámpara de techo Vuelta
La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.
Perchero Afteroom grande
El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.
Esta es la versión grande de la colección, con más "puntos" para colgar ropa, bolsos y otros complementos en recibidores, dormitorios, etc. Además, también puede colgarse tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.
Perchero Afteroom grande
El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.
Esta es la versión grande de la colección, con más "puntos" para colgar ropa, bolsos y otros complementos en recibidores, dormitorios, etc. Además, también puede colgarse tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.
Perchero Afteroom mediano
El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.
Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.
Perchero Afteroom mediano
El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.
Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.
Perchero Afteroom mediano
El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.
Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.
Perchero Afteroom mediano
El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.
Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.
Perchero Afteroom mediano
El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.
Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.
Perchero Afteroom mediano
El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.
Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.
Perchero Afteroom mediano
El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.
Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.
Perchero Afteroom mediano
El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.
Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.
Perchero Afteroom mediano
El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.
Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.