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La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

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La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta es la versión grande de la colección, con más "puntos" para colgar ropa, bolsos y otros complementos en recibidores, dormitorios, etc. Además, también puede colgarse tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta es la versión grande de la colección, con más "puntos" para colgar ropa, bolsos y otros complementos en recibidores, dormitorios, etc. Además, también puede colgarse tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

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La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

Ver producto relacionado

La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

Ver producto relacionado

La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

Ver producto relacionado

La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

Ver producto relacionado

La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

Ver producto relacionado

La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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El macetero Daiza es una reinterpretación moderna de las ánforas antiguas, con una forma elegante que toma del gres y un acabado con un esmalte brillante que crea profundidad de color y una textura cautivadora. Inspirado en la belleza atemporal de la cerámica clásica, Daiza aporta un toque sofisticado a cualquier espacio.

Su diseño elevado sobre pies de hierro permite crear composiciones dinámicas al agrupar varias piezas juntas, convirtiéndola en una opcion ideal para decorar tanto interiores como exteriores (siguiendo las instrucciones de cuidado). Disponible en cuatro tamaños, el macetero Daiza se adapta a sus necesidades y preferencias, ya sea como acento decorativo para una pequeña mesa auxiliar o una pieza llamativa para su jardín.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Los maceteros Plantas son piezas artesanales hechas a mano con gres color marfil mate, que presentan un diseño único con curvas y superficie irregular surcada, aportando un toque natural y texturizado a su decoración. Cada pieza es única e irrepetible, y aunque están diseñadas para uso en interiores, también se pueden utilizar en exteriores siguiendo las instrucciones de cuidado. Disponibles en cuatro tamaños para adaptarse a sus necesidades, los maceteros Plantas realzan la belleza de sus plantas y le dan un toque especial a su hogar.

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Inspirada en las clásicas lámparas de minero, la lámpara de mesa Ray de Daniel Schofield para Audo presenta una silueta distintiva y funcional. Su diseño minimalista, fabricado en metal con recubrimiento en polvo y vidrio, se completa con un asa superior que facilita su transporte.
Ya sea en un estante de la sala de estar, una mesa de comedor o una mesita de noche, la lámpara Ray le acompaña donde la necesite. Su luz LED de bajo consumo, regulable en tres niveles de intensidad, crea un ambiente cálido y acogedor. Además está disponible en dos colores para adaptarse a la estética de cualquier espacio.

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Inspirada en las clásicas lámparas de minero, la lámpara de mesa Ray de Daniel Schofield para Audo presenta una silueta distintiva y funcional. Su diseño minimalista, fabricado en metal con recubrimiento en polvo y vidrio, se completa con un asa superior que facilita su transporte.
Ya sea en un estante de la sala de estar, una mesa de comedor o una mesita de noche, la lámpara Ray le acompaña donde la necesite. Su luz LED de bajo consumo, regulable en tres niveles de intensidad, crea un ambiente cálido y acogedor. Además está disponible en dos colores para adaptarse a la estética de cualquier espacio.

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Inspirada en las clásicas lámparas de minero, la lámpara de mesa Ray de Daniel Schofield para Audo presenta una silueta distintiva y funcional. Su diseño minimalista, fabricado en metal con recubrimiento en polvo y vidrio, se completa con un asa superior que facilita su transporte.
Ya sea en un estante de la sala de estar, una mesa de comedor o una mesita de noche, la lámpara Ray le acompaña donde la necesite. Su luz LED de bajo consumo, regulable en tres niveles de intensidad, crea un ambiente cálido y acogedor. Además está disponible en dos colores para adaptarse a la estética de cualquier espacio.

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Inspirada en las clásicas lámparas de minero, la lámpara de mesa Ray de Daniel Schofield para Audo presenta una silueta distintiva y funcional. Su diseño minimalista, fabricado en metal con recubrimiento en polvo y vidrio, se completa con un asa superior que facilita su transporte.
Ya sea en un estante de la sala de estar, una mesa de comedor o una mesita de noche, la lámpara Ray le acompaña donde la necesite. Su luz LED de bajo consumo, regulable en tres niveles de intensidad, crea un ambiente cálido y acogedor. Además está disponible en dos colores para adaptarse a la estética de cualquier espacio.

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Inspirada en las clásicas lámparas de minero, la lámpara de mesa Ray de Daniel Schofield para Audo presenta una silueta distintiva y funcional. Su diseño minimalista, fabricado en metal con recubrimiento en polvo y vidrio, se completa con un asa superior que facilita su transporte.
Ya sea en un estante de la sala de estar, una mesa de comedor o una mesita de noche, la lámpara Ray le acompaña donde la necesite. Su luz LED de bajo consumo, regulable en tres niveles de intensidad, crea un ambiente cálido y acogedor. Además está disponible en dos colores para adaptarse a la estética de cualquier espacio.

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Inspirada en las clásicas lámparas de minero, la lámpara de mesa Ray de Daniel Schofield para Audo presenta una silueta distintiva y funcional. Su diseño minimalista, fabricado en metal con recubrimiento en polvo y vidrio, se completa con un asa superior que facilita su transporte.
Ya sea en un estante de la sala de estar, una mesa de comedor o una mesita de noche, la lámpara Ray le acompaña donde la necesite. Su luz LED de bajo consumo, regulable en tres niveles de intensidad, crea un ambiente cálido y acogedor. Además está disponible en dos colores para adaptarse a la estética de cualquier espacio.

Ver producto relacionado

Inspirada en las clásicas lámparas de minero, la lámpara de mesa Ray de Daniel Schofield para Audo presenta una silueta distintiva y funcional. Su diseño minimalista, fabricado en metal con recubrimiento en polvo y vidrio, se completa con un asa superior que facilita su transporte.
Ya sea en un estante de la sala de estar, una mesa de comedor o una mesita de noche, la lámpara Ray le acompaña donde la necesite. Su luz LED de bajo consumo, regulable en tres niveles de intensidad, crea un ambiente cálido y acogedor. Además está disponible en dos colores para adaptarse a la estética de cualquier espacio.

Ver producto relacionado

Inspirada en las clásicas lámparas de minero, la lámpara de mesa Ray de Daniel Schofield para Audo presenta una silueta distintiva y funcional. Su diseño minimalista, fabricado en metal con recubrimiento en polvo y vidrio, se completa con un asa superior que facilita su transporte.
Ya sea en un estante de la sala de estar, una mesa de comedor o una mesita de noche, la lámpara Ray le acompaña donde la necesite. Su luz LED de bajo consumo, regulable en tres niveles de intensidad, crea un ambiente cálido y acogedor. Además está disponible en dos colores para adaptarse a la estética de cualquier espacio.

Ver producto relacionado

Inspirada en las clásicas lámparas de minero, la lámpara de mesa Ray de Daniel Schofield para Audo presenta una silueta distintiva y funcional. Su diseño minimalista, fabricado en metal con recubrimiento en polvo y vidrio, se completa con un asa superior que facilita su transporte.
Ya sea en un estante de la sala de estar, una mesa de comedor o una mesita de noche, la lámpara Ray le acompaña donde la necesite. Su luz LED de bajo consumo, regulable en tres niveles de intensidad, crea un ambiente cálido y acogedor. Además está disponible en dos colores para adaptarse a la estética de cualquier espacio.

Ver producto relacionado

Inspirada en las clásicas lámparas de minero, la lámpara de mesa Ray de Daniel Schofield para Audo presenta una silueta distintiva y funcional. Su diseño minimalista, fabricado en metal con recubrimiento en polvo y vidrio, se completa con un asa superior que facilita su transporte.
Ya sea en un estante de la sala de estar, una mesa de comedor o una mesita de noche, la lámpara Ray le acompaña donde la necesite. Su luz LED de bajo consumo, regulable en tres niveles de intensidad, crea un ambiente cálido y acogedor. Además está disponible en dos colores para adaptarse a la estética de cualquier espacio.

Ver producto relacionado

Inspirada en las clásicas lámparas de minero, la lámpara de mesa Ray de Daniel Schofield para Audo presenta una silueta distintiva y funcional. Su diseño minimalista, fabricado en metal con recubrimiento en polvo y vidrio, se completa con un asa superior que facilita su transporte.
Ya sea en un estante de la sala de estar, una mesa de comedor o una mesita de noche, la lámpara Ray le acompaña donde la necesite. Su luz LED de bajo consumo, regulable en tres niveles de intensidad, crea un ambiente cálido y acogedor. Además está disponible en dos colores para adaptarse a la estética de cualquier espacio.

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En esta sección encontrarás todos los componentes y accesorios necesarios ampliar, añadir complementos o adquirir recambio para tu String System.

Si prefieres crear desde cero tu propio sistema String System o visualizar tu ampliación, también puedes usar el Configurador Build Your Own String®. String te permite crear un sistema único que se adapte a tu estilo y necesidades. Planificar tu hogar jamás ha sido tan sencillo.

Con un poco de creatividad, puedes crear un sistema que sea funcional y decorativo. Y si necesitas inspiración, visita nuestra sección Ambientes String Furniture, donde encontrarás los productos de String en un contexto real para poder apreciar todo su potencial.

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Inspirada en el brutalismo, la mesa auxiliar Post juega con las formas para presentarnos una mesa de centro redonda y sencilla pero muy atractiva. Hecha en madera de roble con certificación FSC, su diseño emplea la técnica de la marquetería para ofrecer dos acabados distintos: madera rayada enchapada en las patas y sobre liso, o patas lisas y un tablero con un elegante y único panel de chapa de roble en forma de sectores esféricos. Utilice varias mesas de diferentes tamaños para crear un cohesivo conjunto en dos niveles.

Inspirada en el brutalismo, la mesa auxiliar Post juega con las formas para presentarnos una mesa de centro redonda y sencilla pero muy atractiva. Hecha en madera de roble con certificación FSC, su diseño emplea la técnica de la marquetería para ofrecer dos acabados distintos: madera rayada enchapada en las patas y sobre liso, o patas lisas y un tablero con un elegante y único panel de chapa de roble en forma de sectores esféricos. Utilice varias mesas de diferentes tamaños para crear un cohesivo conjunto en dos niveles.

Inspirada en el brutalismo, la mesa auxiliar Post juega con las formas para presentarnos una mesa de centro redonda y sencilla pero muy atractiva. Hecha en madera de roble con certificación FSC, su diseño emplea la técnica de la marquetería para ofrecer dos acabados distintos: madera rayada enchapada en las patas y sobre liso, o patas lisas y un tablero con un elegante y único panel de chapa de roble en forma de sectores esféricos. Utilice varias mesas de diferentes tamaños para crear un cohesivo conjunto en dos niveles.

Inspirada en el brutalismo, la mesa auxiliar Post juega con las formas para presentarnos una mesa de centro redonda y sencilla pero muy atractiva. Hecha en madera de roble con certificación FSC, su diseño emplea la técnica de la marquetería para ofrecer dos acabados distintos: madera rayada enchapada en las patas y sobre liso, o patas lisas y un tablero con un elegante y único panel de chapa de roble en forma de sectores esféricos. Utilice varias mesas de diferentes tamaños para crear un cohesivo conjunto en dos niveles.

Inspirada en el brutalismo, la mesa auxiliar Post juega con las formas para presentarnos una mesa de centro redonda y sencilla pero muy atractiva. Hecha en madera de roble con certificación FSC, su diseño emplea la técnica de la marquetería para ofrecer dos acabados distintos: madera rayada enchapada en las patas y sobre liso, o patas lisas y un tablero con un elegante y único panel de chapa de roble en forma de sectores esféricos. Utilice varias mesas de diferentes tamaños para crear un cohesivo conjunto en dos niveles.

La colaboración entre Audo y el diseñador Tim Rundle ha dado lugar a una nueva versión de la lámpara TR Bulb, con un acabado brillante que aporta un toque clásico a cualquier espacio. Esta versión está diseñada con una estructura para suspensión.

Inspirada en el estilo de vida nómada actual, esta esfera LED se instala en segundos sin necesidad de herramientas. Simplemente atorníllela en los enchufes colgantes, comunes en ciudades de todo el mundo, y disfrute de una luz cálida y uniforme. La forma esférica de la bombilla TR Bulb oculta el portalámparas, mientras que el difusor de cristal opalino crea un ambiente acogedor y evita el deslumbramiento.

La colaboración entre Audo y el diseñador Tim Rundle ha dado lugar a una nueva versión de la lámpara TR Bulb, con un acabado brillante que aporta un toque clásico a cualquier espacio. Esta versión está diseñada con una estructura para suspensión.

Inspirada en el estilo de vida nómada actual, esta esfera LED se instala en segundos sin necesidad de herramientas. Simplemente atorníllela en los enchufes colgantes, comunes en ciudades de todo el mundo, y disfrute de una luz cálida y uniforme. La forma esférica de la bombilla TR Bulb oculta el portalámparas, mientras que el difusor de cristal opalino crea un ambiente acogedor y evita el deslumbramiento.

La colaboración entre Audo y el diseñador Tim Rundle ha dado lugar a una nueva versión de la lámpara TR Bulb, con un acabado brillante que aporta un toque clásico a cualquier espacio. Esta versión está diseñada con una estructura para suspensión.

Inspirada en el estilo de vida nómada actual, esta esfera LED se instala en segundos sin necesidad de herramientas. Simplemente atorníllela en los enchufes colgantes, comunes en ciudades de todo el mundo, y disfrute de una luz cálida y uniforme. La forma esférica de la bombilla TR Bulb oculta el portalámparas, mientras que el difusor de cristal opalino crea un ambiente acogedor y evita el deslumbramiento.

La colaboración entre Audo y el diseñador Tim Rundle ha dado lugar a una nueva versión de la lámpara TR Bulb, con un acabado brillante que aporta un toque clásico a cualquier espacio. Esta versión está diseñada con una estructura para suspensión.

Inspirada en el estilo de vida nómada actual, esta esfera LED se instala en segundos sin necesidad de herramientas. Simplemente atorníllela en los enchufes colgantes, comunes en ciudades de todo el mundo, y disfrute de una luz cálida y uniforme. La forma esférica de la bombilla TR Bulb oculta el portalámparas, mientras que el difusor de cristal opalino crea un ambiente acogedor y evita el deslumbramiento.

La colaboración entre Audo y el diseñador Tim Rundle ha dado lugar a una nueva versión de la lámpara TR Bulb, con un acabado brillante que aporta un toque clásico a cualquier espacio. Esta versión está diseñada con una estructura para suspensión.

Inspirada en el estilo de vida nómada actual, esta esfera LED se instala en segundos sin necesidad de herramientas. Simplemente atorníllela en los enchufes colgantes, comunes en ciudades de todo el mundo, y disfrute de una luz cálida y uniforme. La forma esférica de la bombilla TR Bulb oculta el portalámparas, mientras que el difusor de cristal opalino crea un ambiente acogedor y evita el deslumbramiento.

La colaboración entre Audo y el diseñador Tim Rundle ha dado lugar a una nueva versión de la lámpara TR Bulb, con un acabado brillante que aporta un toque clásico a cualquier espacio. Esta versión está diseñada con una estructura para suspensión.

Inspirada en el estilo de vida nómada actual, esta esfera LED se instala en segundos sin necesidad de herramientas. Simplemente atorníllela en los enchufes colgantes, comunes en ciudades de todo el mundo, y disfrute de una luz cálida y uniforme. La forma esférica de la bombilla TR Bulb oculta el portalámparas, mientras que el difusor de cristal opalino crea un ambiente acogedor y evita el deslumbramiento.

Esta versión portátil ofrece una gran versatilidad de usos. Dispone de intensidad totalmente regulable presionando de forma continua, o bien 3 niveles predefinidos que se activan con un toque.

La lámpara PH 2/1 es una obra maestra del diseño danés que combina a la perfección la elegancia y la funcionalidad. Su sistema de pantallas de vidrio opal soplado a mano crea una luz suave y armoniosa, perfecta para cualquier espacio. La forma de la pantalla está inspirada en la curva lituus, que se encuentra en la naturaleza. Esta forma única proporciona una distribución uniforme de la luz, evitando el deslumbramiento y creando un ambiente acogedor.

La lámpara PH 2/1 está fabricada con materiales de alta calidad, como el latón o cromado y el vidrio opal. Esto garantiza una larga vida útil y un aspecto elegante que se adapta a cualquier estilo.

Esta versión portátil ofrece una gran versatilidad de usos. Dispone de intensidad totalmente regulable presionando de forma continua, o bien 3 niveles predefinidos que se activan con un toque.

La lámpara PH 2/1 es una obra maestra del diseño danés que combina a la perfección la elegancia y la funcionalidad. Su sistema de pantallas de vidrio opal soplado a mano crea una luz suave y armoniosa, perfecta para cualquier espacio. La forma de la pantalla está inspirada en la curva lituus, que se encuentra en la naturaleza. Esta forma única proporciona una distribución uniforme de la luz, evitando el deslumbramiento y creando un ambiente acogedor.

La lámpara PH 2/1 está fabricada con materiales de alta calidad, como el latón o cromado y el vidrio opal. Esto garantiza una larga vida útil y un aspecto elegante que se adapta a cualquier estilo.

Esta versión portátil ofrece una gran versatilidad de usos. Dispone de intensidad totalmente regulable presionando de forma continua, o bien 3 niveles predefinidos que se activan con un toque.

La lámpara PH 2/1 es una obra maestra del diseño danés que combina a la perfección la elegancia y la funcionalidad. Su sistema de pantallas de vidrio opal soplado a mano crea una luz suave y armoniosa, perfecta para cualquier espacio. La forma de la pantalla está inspirada en la curva lituus, que se encuentra en la naturaleza. Esta forma única proporciona una distribución uniforme de la luz, evitando el deslumbramiento y creando un ambiente acogedor.

La lámpara PH 2/1 está fabricada con materiales de alta calidad, como el latón o cromado y el vidrio opal. Esto garantiza una larga vida útil y un aspecto elegante que se adapta a cualquier estilo.

Esta versión portátil ofrece una gran versatilidad de usos. Dispone de intensidad totalmente regulable presionando de forma continua, o bien 3 niveles predefinidos que se activan con un toque.

La lámpara PH 2/1 es una obra maestra del diseño danés que combina a la perfección la elegancia y la funcionalidad. Su sistema de pantallas de vidrio opal soplado a mano crea una luz suave y armoniosa, perfecta para cualquier espacio. La forma de la pantalla está inspirada en la curva lituus, que se encuentra en la naturaleza. Esta forma única proporciona una distribución uniforme de la luz, evitando el deslumbramiento y creando un ambiente acogedor.

La lámpara PH 2/1 está fabricada con materiales de alta calidad, como el latón o cromado y el vidrio opal. Esto garantiza una larga vida útil y un aspecto elegante que se adapta a cualquier estilo.

Esta versión portátil ofrece una gran versatilidad de usos. Dispone de intensidad totalmente regulable presionando de forma continua, o bien 3 niveles predefinidos que se activan con un toque.

La lámpara PH 2/1 es una obra maestra del diseño danés que combina a la perfección la elegancia y la funcionalidad. Su sistema de pantallas de vidrio opal soplado a mano crea una luz suave y armoniosa, perfecta para cualquier espacio. La forma de la pantalla está inspirada en la curva lituus, que se encuentra en la naturaleza. Esta forma única proporciona una distribución uniforme de la luz, evitando el deslumbramiento y creando un ambiente acogedor.

La lámpara PH 2/1 está fabricada con materiales de alta calidad, como el latón o cromado y el vidrio opal. Esto garantiza una larga vida útil y un aspecto elegante que se adapta a cualquier estilo.

Esta versión portátil ofrece una gran versatilidad de usos. Dispone de intensidad totalmente regulable presionando de forma continua, o bien 3 niveles predefinidos que se activan con un toque.

La lámpara PH 2/1 es una obra maestra del diseño danés que combina a la perfección la elegancia y la funcionalidad. Su sistema de pantallas de vidrio opal soplado a mano crea una luz suave y armoniosa, perfecta para cualquier espacio. La forma de la pantalla está inspirada en la curva lituus, que se encuentra en la naturaleza. Esta forma única proporciona una distribución uniforme de la luz, evitando el deslumbramiento y creando un ambiente acogedor.

La lámpara PH 2/1 está fabricada con materiales de alta calidad, como el latón o cromado y el vidrio opal. Esto garantiza una larga vida útil y un aspecto elegante que se adapta a cualquier estilo.

Esta versión portátil ofrece una gran versatilidad de usos. Dispone de intensidad totalmente regulable presionando de forma continua, o bien 3 niveles predefinidos que se activan con un toque.

La lámpara PH 2/1 es una obra maestra del diseño danés que combina a la perfección la elegancia y la funcionalidad. Su sistema de pantallas de vidrio opal soplado a mano crea una luz suave y armoniosa, perfecta para cualquier espacio. La forma de la pantalla está inspirada en la curva lituus, que se encuentra en la naturaleza. Esta forma única proporciona una distribución uniforme de la luz, evitando el deslumbramiento y creando un ambiente acogedor.

La lámpara PH 2/1 está fabricada con materiales de alta calidad, como el latón o cromado y el vidrio opal. Esto garantiza una larga vida útil y un aspecto elegante que se adapta a cualquier estilo.

Esta versión portátil ofrece una gran versatilidad de usos. Dispone de intensidad totalmente regulable presionando de forma continua, o bien 3 niveles predefinidos que se activan con un toque.

La lámpara PH 2/1 es una obra maestra del diseño danés que combina a la perfección la elegancia y la funcionalidad. Su sistema de pantallas de vidrio opal soplado a mano crea una luz suave y armoniosa, perfecta para cualquier espacio. La forma de la pantalla está inspirada en la curva lituus, que se encuentra en la naturaleza. Esta forma única proporciona una distribución uniforme de la luz, evitando el deslumbramiento y creando un ambiente acogedor.

La lámpara PH 2/1 está fabricada con materiales de alta calidad, como el latón o cromado y el vidrio opal. Esto garantiza una larga vida útil y un aspecto elegante que se adapta a cualquier estilo.