Ambientes

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

El cojín Crease Wool es la esencia de la sofisticación y la comodidad. Inspirado en las líneas limpias de la arquitectura moderna, su diseño minimalista aporta un toque de elegancia atemporal.

Tejido a mano con lana de Nueva Zelanda de alta calidad, la parte delantera del cojín presenta una mezcla única de lana de pelo largo y tejido plano, creando una textura visualmente atractiva. La parte posterior se mantiene tejida de forma plana, proporcionando un contraste interesante. Para realzar su exclusividad, el cojín Crease Wool se completa con intrincados detalles cosidos en la parte superior a lo largo de los bordes, un toque de distinción y artesanía que eleva la pieza.

Relleno de plumas y plumón, este cojín no solo es visualmente atractivo, sino que también ofrece una comodidad inigualable, perfecto para acurrucarse en el sofá o añadir un toque de estilo a la cama.

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El cojín Crease Wool es la esencia de la sofisticación y la comodidad. Inspirado en las líneas limpias de la arquitectura moderna, su diseño minimalista aporta un toque de elegancia atemporal.

Tejido a mano con lana de Nueva Zelanda de alta calidad, la parte delantera del cojín presenta una mezcla única de lana de pelo largo y tejido plano, creando una textura visualmente atractiva. La parte posterior se mantiene tejida de forma plana, proporcionando un contraste interesante. Para realzar su exclusividad, el cojín Crease Wool se completa con intrincados detalles cosidos en la parte superior a lo largo de los bordes, un toque de distinción y artesanía que eleva la pieza.

Relleno de plumas y plumón, este cojín no solo es visualmente atractivo, sino que también ofrece una comodidad inigualable, perfecto para acurrucarse en el sofá o añadir un toque de estilo a la cama.

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El cojín Crease Wool es la esencia de la sofisticación y la comodidad. Inspirado en las líneas limpias de la arquitectura moderna, su diseño minimalista aporta un toque de elegancia atemporal.

Tejido a mano con lana de Nueva Zelanda de alta calidad, la parte delantera del cojín presenta una mezcla única de lana de pelo largo y tejido plano, creando una textura visualmente atractiva. La parte posterior se mantiene tejida de forma plana, proporcionando un contraste interesante. Para realzar su exclusividad, el cojín Crease Wool se completa con intrincados detalles cosidos en la parte superior a lo largo de los bordes, un toque de distinción y artesanía que eleva la pieza.

Relleno de plumas y plumón, este cojín no solo es visualmente atractivo, sino que también ofrece una comodidad inigualable, perfecto para acurrucarse en el sofá o añadir un toque de estilo a la cama.

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Los cojines Part de Ferm Living son la encarnación de la simplicidad y la elegancia. Inspirados en la tradicional técnica coreana Pojagi, estos cojines están confeccionados con un mosaico contemporáneo de cuadrados de lino puro y algodón orgánico, creando una textura única y muy agradable al tacto.

Su diseño ligero y aireado lo convierte en la pieza ideal para añadir un toque de frescura y comodidad a cualquier espacio de su hogar, desde el salón hasta el dormitorio. La combinación de lino y algodón ligeramente transparente del cojín Part crea un efecto de color intrigante que añade un toque de personalidad a su decoración.

El cojín Part está elaborado con materiales naturales y sostenibles, como el lino y el algodón orgánico. Estos materiales son suaves, transpirables y duraderos, lo que garantiza que su cojín le acompañará durante mucho tiempo.

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Los cojines Part de Ferm Living son la encarnación de la simplicidad y la elegancia. Inspirados en la tradicional técnica coreana Pojagi, estos cojines están confeccionados con un mosaico contemporáneo de cuadrados de lino puro y algodón orgánico, creando una textura única y muy agradable al tacto.

Su diseño ligero y aireado lo convierte en la pieza ideal para añadir un toque de frescura y comodidad a cualquier espacio de su hogar, desde el salón hasta el dormitorio. La combinación de lino y algodón ligeramente transparente del cojín Part crea un efecto de color intrigante que añade un toque de personalidad a su decoración.

El cojín Part está elaborado con materiales naturales y sostenibles, como el lino y el algodón orgánico. Estos materiales son suaves, transpirables y duraderos, lo que garantiza que su cojín le acompañará durante mucho tiempo.

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Los cojines Part de Ferm Living son la encarnación de la simplicidad y la elegancia. Inspirados en la tradicional técnica coreana Pojagi, estos cojines están confeccionados con un mosaico contemporáneo de cuadrados de lino puro y algodón orgánico, creando una textura única y muy agradable al tacto.

Su diseño ligero y aireado lo convierte en la pieza ideal para añadir un toque de frescura y comodidad a cualquier espacio de su hogar, desde el salón hasta el dormitorio. La combinación de lino y algodón ligeramente transparente del cojín Part crea un efecto de color intrigante que añade un toque de personalidad a su decoración.

El cojín Part está elaborado con materiales naturales y sostenibles, como el lino y el algodón orgánico. Estos materiales son suaves, transpirables y duraderos, lo que garantiza que su cojín le acompañará durante mucho tiempo.

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La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

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La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta es la versión más grande con una longitud de 100 cm.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

La lámpara de techo Vuelta combina la complejidad textural del vidrio translúcido cilíndrico con la simplicidad moderna de los acabados de metal cepillado, creando un efecto visual único que atrapa la atención. Esta versión de 60 cm de longitud está disponible en dos acabados: latón o acero inoxidable.
Su superficie ondulada distintiva no solo es estéticamente agradable, sino que también difunde la luz de manera uniforme, creando una atmósfera cálida y acogedora en cualquier espacio. La lámpara Vuelta también cuenta con una fuente de luz LED y un regulador remoto ajustable, lo que te permite controlar la intensidad de la luz y crear el ambiente perfecto para cualquier ocasión.
Puede utilizarla de forma individual para un toque de estilo minimalista o colgar varias juntas para crear una declaración de iluminación llamativa. Su versatilidad la convierte en la opción perfecta para cualquier espacio.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta es la versión grande de la colección, con más "puntos" para colgar ropa, bolsos y otros complementos en recibidores, dormitorios, etc. Además, también puede colgarse tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

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El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta es la versión grande de la colección, con más "puntos" para colgar ropa, bolsos y otros complementos en recibidores, dormitorios, etc. Además, también puede colgarse tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión mediana, dispone de más "puntos" para una mayor funcionalidad. Además, también puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión reducida, dispone de un "punto" grande y "punto" pequeño, lo que le permite nuevos usos y configuraciones. Además, puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

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El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión reducida, dispone de un "punto" grande y "punto" pequeño, lo que le permite nuevos usos y configuraciones. Además, puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión reducida, dispone de un "punto" grande y "punto" pequeño, lo que le permite nuevos usos y configuraciones. Además, puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión reducida, dispone de un "punto" grande y "punto" pequeño, lo que le permite nuevos usos y configuraciones. Además, puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión reducida, dispone de un "punto" grande y "punto" pequeño, lo que le permite nuevos usos y configuraciones. Además, puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

El perchero Afteroom de Audo es un tributo a la simplicidad y la honestidad, valores fundamentales de la colección. Su diseño atemporal, con referencias claras a la Bauhaus y el modernismo, lo convierte en una pieza única. El perchero Afteroom combina estética y funcionalidad. Sus ganchos permiten organizar abrigos, ropa o accesorios de manera eficiente. Los tornillos ocultos realzan la estética minimalista del perchero, creando una sensación de orden y limpieza en su hogar.

Esta versión reducida, dispone de un "punto" grande y "punto" pequeño, lo que le permite nuevos usos y configuraciones. Además, puede colgarlo tanto horizontal como verticalmente, ofreciendo libertad decorativa. Su diseño elegante y minimalista convierte las paredes vacías en lienzos en blanco, permitiéndole crear composiciones únicas y llenas de estilo.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

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La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

Ver producto relacionado

La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

Ver producto relacionado

La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

Ver producto relacionado

La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

Ver producto relacionado

La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

Ver producto relacionado

La lámpara TR Bulb es una solución de iluminación inteligente y portátil, perfecta para el estilo de vida nómada urbano actual. Inspirada en la tendencia cada vez mayor de personas que se mueven entre ciudades y países por trabajo o experiencias de vida, TR Bulb le permite llevar la luz a donde vaya. Se instala atornillándola en cualquier enchufe colgante estándar, sin necesidad de conocimientos eléctricos.

Diseñada por Audo en colaboración con Tim Rundle, esta versión de sobremesa o aplique de pared de la TR Bulb se caracteriza por su simplicidad y funcionalidad. Su forma esférica elegante y su difusor de cristal opalino crean una luz suave y uniforme, evitando el deslumbramiento. Además cuenta con una bombilla LED regulable, lo que le permite ajustar la intensidad de la luz según sus necesidades. Cree un ambiente íntimo para relajarse o una luz más intensa para trabajar o leer.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

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Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado

Inspirada en las tradicionales linternas de papel japonesas, la Colección Hashira de Norm Architects para Audo le ofrece una experiencia de iluminación ambiental única.

Esta versión portátil, de pequeña escala pero gran impacto, le brinda la libertad de llevar la luz cálida y acogedora de Hashira a cualquier lugar que desee, tanto en interiores como en exteriores. Equipada con un cargador USB oculto en la base, la lámpara le ofrece 10 horas de luz ajustable cuando está completamente cargada.

Recuerde que para preservar la vida útil de la batería, es recomendable apagar la lámpara durante la carga y evitar dejarla enchufada mientras no esté en uso.

Ver producto relacionado