Ambientes

Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.

Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.

Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.

Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.

Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.

Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.

Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.

Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.

Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.

Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.

Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.

Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.

*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.

This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.

*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.

This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.

*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.

This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.

*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.

This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.

*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.

This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.

*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.

This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.

*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.

This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.

*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.

This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.

*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.

This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.

*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.

This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.

*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

This vase was the first piece to be designed from the now iconic Échasse collection .

Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.

In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.

The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.

The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.

The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.

The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.

The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.

The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.

The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.

The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.

The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.

The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.

The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.

The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.

The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

Globus is a light and welcoming chair. The curves of the backrest gather the back providing enveloping comfort. Its original shapes make this chair fresh and light. Its shape is expressive, almost voluptuous. The structure is linked gently with the seat and backrest, to create shapes that appear perfectly finished from any point of view.
The indoor version: structure in chromed or matt chromed steel tube, and white or black epoxy lacquer. The outdoor version is in matt stainless steel.

Characteristics:

• Molded Wood: the seat and back are made of natural wood that comes from sustainably managed forests.
• Design: the Globus chair has a wrap-around backrest with a central hole that makes the chair lighter and serves as a carrying handle. The metal structure holds the backrest making the chair extremely resistant.
• Backrest design: the hot-air balloon-shaped backrest, thanks to its pronounced curve, scoops up the back, providing great comfort. A shape that has become a design icon.
• Stacking: The design of the chair allows the chair to be stacked indefinitely on a cart.

La muñeca Kokeshi Freddie rinde homenaje a una de las mayores leyendas del rock de todos los tiempos. Inspirada en su icónico atuendo del tour europeo “Magic” de 1986, esta pieza captura la esencia de Freddie Mercury con su emblemática chaqueta militar amarilla. Con un diseño que celebra su personalidad teatral y su talento vocal inigualable, esta muñeca es un tributo único a un artista que dejó una huella imborrable en la música y el mundo. Perfecta para coleccionistas y amantes del rock, es un recordatorio del legado vibrante de Freddie.

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La muñeca Kokeshi Freddie rinde homenaje a una de las mayores leyendas del rock de todos los tiempos. Inspirada en su icónico atuendo del tour europeo “Magic” de 1986, esta pieza captura la esencia de Freddie Mercury con su emblemática chaqueta militar amarilla. Con un diseño que celebra su personalidad teatral y su talento vocal inigualable, esta muñeca es un tributo único a un artista que dejó una huella imborrable en la música y el mundo. Perfecta para coleccionistas y amantes del rock, es un recordatorio del legado vibrante de Freddie.

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La muñeca Kokeshi Freddie rinde homenaje a una de las mayores leyendas del rock de todos los tiempos. Inspirada en su icónico atuendo del tour europeo “Magic” de 1986, esta pieza captura la esencia de Freddie Mercury con su emblemática chaqueta militar amarilla. Con un diseño que celebra su personalidad teatral y su talento vocal inigualable, esta muñeca es un tributo único a un artista que dejó una huella imborrable en la música y el mundo. Perfecta para coleccionistas y amantes del rock, es un recordatorio del legado vibrante de Freddie.

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La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.

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La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.

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La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.

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La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.

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La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.

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La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.

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La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.

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La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.

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La muñeca Kokeshi Frida rinde homenaje a la icónica artista mexicana con un diseño audaz y lleno de color. Su llamativo tocado floral, la característica ceja única y un vestido vibrante inspirado en sus autorretratos capturan el estilo único y la visión artística de Frida Kahlo. Esta pieza es una celebración lúdica y hermosa de su legado, perfecta para amantes del arte, coleccionistas y quienes buscan una representación única de esta figura histórica.

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La muñeca Kokeshi Frida rinde homenaje a la icónica artista mexicana con un diseño audaz y lleno de color. Su llamativo tocado floral, la característica ceja única y un vestido vibrante inspirado en sus autorretratos capturan el estilo único y la visión artística de Frida Kahlo. Esta pieza es una celebración lúdica y hermosa de su legado, perfecta para amantes del arte, coleccionistas y quienes buscan una representación única de esta figura histórica.

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La muñeca Kokeshi Frida rinde homenaje a la icónica artista mexicana con un diseño audaz y lleno de color. Su llamativo tocado floral, la característica ceja única y un vestido vibrante inspirado en sus autorretratos capturan el estilo único y la visión artística de Frida Kahlo. Esta pieza es una celebración lúdica y hermosa de su legado, perfecta para amantes del arte, coleccionistas y quienes buscan una representación única de esta figura histórica.

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La muñeca Kokeshi Frida rinde homenaje a la icónica artista mexicana con un diseño audaz y lleno de color. Su llamativo tocado floral, la característica ceja única y un vestido vibrante inspirado en sus autorretratos capturan el estilo único y la visión artística de Frida Kahlo. Esta pieza es una celebración lúdica y hermosa de su legado, perfecta para amantes del arte, coleccionistas y quienes buscan una representación única de esta figura histórica.

Ver producto relacionado

La muñeca Kokeshi Frida rinde homenaje a la icónica artista mexicana con un diseño audaz y lleno de color. Su llamativo tocado floral, la característica ceja única y un vestido vibrante inspirado en sus autorretratos capturan el estilo único y la visión artística de Frida Kahlo. Esta pieza es una celebración lúdica y hermosa de su legado, perfecta para amantes del arte, coleccionistas y quienes buscan una representación única de esta figura histórica.

Ver producto relacionado

La muñeca Kokeshi Frida rinde homenaje a la icónica artista mexicana con un diseño audaz y lleno de color. Su llamativo tocado floral, la característica ceja única y un vestido vibrante inspirado en sus autorretratos capturan el estilo único y la visión artística de Frida Kahlo. Esta pieza es una celebración lúdica y hermosa de su legado, perfecta para amantes del arte, coleccionistas y quienes buscan una representación única de esta figura histórica.

Ver producto relacionado

La muñeca Kokeshi Frida rinde homenaje a la icónica artista mexicana con un diseño audaz y lleno de color. Su llamativo tocado floral, la característica ceja única y un vestido vibrante inspirado en sus autorretratos capturan el estilo único y la visión artística de Frida Kahlo. Esta pieza es una celebración lúdica y hermosa de su legado, perfecta para amantes del arte, coleccionistas y quienes buscan una representación única de esta figura histórica.

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La muñeca Kokeshi Frida rinde homenaje a la icónica artista mexicana con un diseño audaz y lleno de color. Su llamativo tocado floral, la característica ceja única y un vestido vibrante inspirado en sus autorretratos capturan el estilo único y la visión artística de Frida Kahlo. Esta pieza es una celebración lúdica y hermosa de su legado, perfecta para amantes del arte, coleccionistas y quienes buscan una representación única de esta figura histórica.

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La muñeca Kokeshi Frida rinde homenaje a la icónica artista mexicana con un diseño audaz y lleno de color. Su llamativo tocado floral, la característica ceja única y un vestido vibrante inspirado en sus autorretratos capturan el estilo único y la visión artística de Frida Kahlo. Esta pieza es una celebración lúdica y hermosa de su legado, perfecta para amantes del arte, coleccionistas y quienes buscan una representación única de esta figura histórica.

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La muñeca Kokeshi Frida rinde homenaje a la icónica artista mexicana con un diseño audaz y lleno de color. Su llamativo tocado floral, la característica ceja única y un vestido vibrante inspirado en sus autorretratos capturan el estilo único y la visión artística de Frida Kahlo. Esta pieza es una celebración lúdica y hermosa de su legado, perfecta para amantes del arte, coleccionistas y quienes buscan una representación única de esta figura histórica.

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La muñeca Kokeshi Anna rinde homenaje a la icónica editora en jefe de la moda con un diseño moderno y sofisticado. Con su característico corte bob, gafas de sol negras y un elegante traje de chaqueta, esta pieza captura el inconfundible estilo de Anna Wintour. Su diseño, lleno de personalidad, es una representación lúdica de su papel influyente en la industria de la moda. Perfecta para coleccionistas y amantes del diseño, es un tributo único a su legado y estilo visionario.

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La muñeca Kokeshi Anna rinde homenaje a la icónica editora en jefe de la moda con un diseño moderno y sofisticado. Con su característico corte bob, gafas de sol negras y un elegante traje de chaqueta, esta pieza captura el inconfundible estilo de Anna Wintour. Su diseño, lleno de personalidad, es una representación lúdica de su papel influyente en la industria de la moda. Perfecta para coleccionistas y amantes del diseño, es un tributo único a su legado y estilo visionario.

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La muñeca Kokeshi Anna rinde homenaje a la icónica editora en jefe de la moda con un diseño moderno y sofisticado. Con su característico corte bob, gafas de sol negras y un elegante traje de chaqueta, esta pieza captura el inconfundible estilo de Anna Wintour. Su diseño, lleno de personalidad, es una representación lúdica de su papel influyente en la industria de la moda. Perfecta para coleccionistas y amantes del diseño, es un tributo único a su legado y estilo visionario.

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La muñeca Kokeshi Anna rinde homenaje a la icónica editora en jefe de la moda con un diseño moderno y sofisticado. Con su característico corte bob, gafas de sol negras y un elegante traje de chaqueta, esta pieza captura el inconfundible estilo de Anna Wintour. Su diseño, lleno de personalidad, es una representación lúdica de su papel influyente en la industria de la moda. Perfecta para coleccionistas y amantes del diseño, es un tributo único a su legado y estilo visionario.

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La muñeca Kokeshi Anna rinde homenaje a la icónica editora en jefe de la moda con un diseño moderno y sofisticado. Con su característico corte bob, gafas de sol negras y un elegante traje de chaqueta, esta pieza captura el inconfundible estilo de Anna Wintour. Su diseño, lleno de personalidad, es una representación lúdica de su papel influyente en la industria de la moda. Perfecta para coleccionistas y amantes del diseño, es un tributo único a su legado y estilo visionario.

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La muñeca Kokeshi Anna rinde homenaje a la icónica editora en jefe de la moda con un diseño moderno y sofisticado. Con su característico corte bob, gafas de sol negras y un elegante traje de chaqueta, esta pieza captura el inconfundible estilo de Anna Wintour. Su diseño, lleno de personalidad, es una representación lúdica de su papel influyente en la industria de la moda. Perfecta para coleccionistas y amantes del diseño, es un tributo único a su legado y estilo visionario.

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Audrey Hepburn, ícono cultural atemporal, cobra vida en esta muñeca Kokeshi diseñada por Becky Kemp. Con una mezcla de precisión y creatividad, Kemp captura la expresión personal y el estilo inconfundible de Audrey, añadiendo un toque humorístico que hace de esta pieza una representación única. Ideal para los amantes de la moda, el cine y el diseño, esta muñeca combina elegancia y originalidad, convirtiéndose en un homenaje perfecto al legado de Audrey.

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Audrey Hepburn, ícono cultural atemporal, cobra vida en esta muñeca Kokeshi diseñada por Becky Kemp. Con una mezcla de precisión y creatividad, Kemp captura la expresión personal y el estilo inconfundible de Audrey, añadiendo un toque humorístico que hace de esta pieza una representación única. Ideal para los amantes de la moda, el cine y el diseño, esta muñeca combina elegancia y originalidad, convirtiéndose en un homenaje perfecto al legado de Audrey.

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Audrey Hepburn, ícono cultural atemporal, cobra vida en esta muñeca Kokeshi diseñada por Becky Kemp. Con una mezcla de precisión y creatividad, Kemp captura la expresión personal y el estilo inconfundible de Audrey, añadiendo un toque humorístico que hace de esta pieza una representación única. Ideal para los amantes de la moda, el cine y el diseño, esta muñeca combina elegancia y originalidad, convirtiéndose en un homenaje perfecto al legado de Audrey.

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Audrey Hepburn, ícono cultural atemporal, cobra vida en esta muñeca Kokeshi diseñada por Becky Kemp. Con una mezcla de precisión y creatividad, Kemp captura la expresión personal y el estilo inconfundible de Audrey, añadiendo un toque humorístico que hace de esta pieza una representación única. Ideal para los amantes de la moda, el cine y el diseño, esta muñeca combina elegancia y originalidad, convirtiéndose en un homenaje perfecto al legado de Audrey.

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La muñeca Kokeshi Coco es una pieza única de madera que rinde homenaje a una de las diseñadoras de moda más influyentes de la historia. Con un diseño delicado y elegante, captura la esencia de su legado y su revolucionaria contribución al mundo de la moda. Perfecta como regalo para amantes de la moda, coleccionistas o aquellos que aprecian el arte de Coco Chanel, esta muñeca es un recordatorio hermoso de su impacto duradero en el estilo y la creatividad.

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La muñeca Kokeshi Coco es una pieza única de madera que rinde homenaje a una de las diseñadoras de moda más influyentes de la historia. Con un diseño delicado y elegante, captura la esencia de su legado y su revolucionaria contribución al mundo de la moda. Perfecta como regalo para amantes de la moda, coleccionistas o aquellos que aprecian el arte de Coco Chanel, esta muñeca es un recordatorio hermoso de su impacto duradero en el estilo y la creatividad.

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La muñeca Kokeshi Coco es una pieza única de madera que rinde homenaje a una de las diseñadoras de moda más influyentes de la historia. Con un diseño delicado y elegante, captura la esencia de su legado y su revolucionaria contribución al mundo de la moda. Perfecta como regalo para amantes de la moda, coleccionistas o aquellos que aprecian el arte de Coco Chanel, esta muñeca es un recordatorio hermoso de su impacto duradero en el estilo y la creatividad.

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La muñeca Kokeshi Coco es una pieza única de madera que rinde homenaje a una de las diseñadoras de moda más influyentes de la historia. Con un diseño delicado y elegante, captura la esencia de su legado y su revolucionaria contribución al mundo de la moda. Perfecta como regalo para amantes de la moda, coleccionistas o aquellos que aprecian el arte de Coco Chanel, esta muñeca es un recordatorio hermoso de su impacto duradero en el estilo y la creatividad.

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La muñeca Kokeshi Coco es una pieza única de madera que rinde homenaje a una de las diseñadoras de moda más influyentes de la historia. Con un diseño delicado y elegante, captura la esencia de su legado y su revolucionaria contribución al mundo de la moda. Perfecta como regalo para amantes de la moda, coleccionistas o aquellos que aprecian el arte de Coco Chanel, esta muñeca es un recordatorio hermoso de su impacto duradero en el estilo y la creatividad.

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La muñeca Kokeshi Coco es una pieza única de madera que rinde homenaje a una de las diseñadoras de moda más influyentes de la historia. Con un diseño delicado y elegante, captura la esencia de su legado y su revolucionaria contribución al mundo de la moda. Perfecta como regalo para amantes de la moda, coleccionistas o aquellos que aprecian el arte de Coco Chanel, esta muñeca es un recordatorio hermoso de su impacto duradero en el estilo y la creatividad.

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La muñeca Kokeshi Coco es una pieza única de madera que rinde homenaje a una de las diseñadoras de moda más influyentes de la historia. Con un diseño delicado y elegante, captura la esencia de su legado y su revolucionaria contribución al mundo de la moda. Perfecta como regalo para amantes de la moda, coleccionistas o aquellos que aprecian el arte de Coco Chanel, esta muñeca es un recordatorio hermoso de su impacto duradero en el estilo y la creatividad.

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Esta muñeca Kokeshi de madera, inspirada en el icónico diseñador de moda Karl Lagerfeld, rinde homenaje a su estilo inconfundible. Con un diseño elegante y sofisticado, presenta su característica camisa de alto cuello, corbata negra y gafas de sol, capturando la esencia de su enfoque único y visionario en la moda. Un tributo lúdico a la creatividad y el legado de Karl, ideal para los amantes del diseño, la moda y las piezas de colección que combinan arte y estilo en su máxima expresión.

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Esta muñeca Kokeshi de madera, inspirada en el icónico diseñador de moda Karl Lagerfeld, rinde homenaje a su estilo inconfundible. Con un diseño elegante y sofisticado, presenta su característica camisa de alto cuello, corbata negra y gafas de sol, capturando la esencia de su enfoque único y visionario en la moda. Un tributo lúdico a la creatividad y el legado de Karl, ideal para los amantes del diseño, la moda y las piezas de colección que combinan arte y estilo en su máxima expresión.

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Esta muñeca Kokeshi de madera, inspirada en el icónico diseñador de moda Karl Lagerfeld, rinde homenaje a su estilo inconfundible. Con un diseño elegante y sofisticado, presenta su característica camisa de alto cuello, corbata negra y gafas de sol, capturando la esencia de su enfoque único y visionario en la moda. Un tributo lúdico a la creatividad y el legado de Karl, ideal para los amantes del diseño, la moda y las piezas de colección que combinan arte y estilo en su máxima expresión.

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Esta muñeca Kokeshi de madera, inspirada en el icónico diseñador de moda Karl Lagerfeld, rinde homenaje a su estilo inconfundible. Con un diseño elegante y sofisticado, presenta su característica camisa de alto cuello, corbata negra y gafas de sol, capturando la esencia de su enfoque único y visionario en la moda. Un tributo lúdico a la creatividad y el legado de Karl, ideal para los amantes del diseño, la moda y las piezas de colección que combinan arte y estilo en su máxima expresión.

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Esta muñeca Kokeshi de madera, inspirada en el icónico diseñador de moda Karl Lagerfeld, rinde homenaje a su estilo inconfundible. Con un diseño elegante y sofisticado, presenta su característica camisa de alto cuello, corbata negra y gafas de sol, capturando la esencia de su enfoque único y visionario en la moda. Un tributo lúdico a la creatividad y el legado de Karl, ideal para los amantes del diseño, la moda y las piezas de colección que combinan arte y estilo en su máxima expresión.

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Esta muñeca Kokeshi de madera, inspirada en el icónico diseñador de moda Karl Lagerfeld, rinde homenaje a su estilo inconfundible. Con un diseño elegante y sofisticado, presenta su característica camisa de alto cuello, corbata negra y gafas de sol, capturando la esencia de su enfoque único y visionario en la moda. Un tributo lúdico a la creatividad y el legado de Karl, ideal para los amantes del diseño, la moda y las piezas de colección que combinan arte y estilo en su máxima expresión.

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Esta muñeca Kokeshi de madera, inspirada en el icónico diseñador de moda Karl Lagerfeld, rinde homenaje a su estilo inconfundible. Con un diseño elegante y sofisticado, presenta su característica camisa de alto cuello, corbata negra y gafas de sol, capturando la esencia de su enfoque único y visionario en la moda. Un tributo lúdico a la creatividad y el legado de Karl, ideal para los amantes del diseño, la moda y las piezas de colección que combinan arte y estilo en su máxima expresión.

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Esta muñeca Kokeshi de madera, inspirada en el icónico diseñador de moda Karl Lagerfeld, rinde homenaje a su estilo inconfundible. Con un diseño elegante y sofisticado, presenta su característica camisa de alto cuello, corbata negra y gafas de sol, capturando la esencia de su enfoque único y visionario en la moda. Un tributo lúdico a la creatividad y el legado de Karl, ideal para los amantes del diseño, la moda y las piezas de colección que combinan arte y estilo en su máxima expresión.

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Esta muñeca Kokeshi de madera, inspirada en el icónico diseñador de moda Karl Lagerfeld, rinde homenaje a su estilo inconfundible. Con un diseño elegante y sofisticado, presenta su característica camisa de alto cuello, corbata negra y gafas de sol, capturando la esencia de su enfoque único y visionario en la moda. Un tributo lúdico a la creatividad y el legado de Karl, ideal para los amantes del diseño, la moda y las piezas de colección que combinan arte y estilo en su máxima expresión.

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Esta muñeca Kokeshi de madera, inspirada en el icónico diseñador de moda Karl Lagerfeld, rinde homenaje a su estilo inconfundible. Con un diseño elegante y sofisticado, presenta su característica camisa de alto cuello, corbata negra y gafas de sol, capturando la esencia de su enfoque único y visionario en la moda. Un tributo lúdico a la creatividad y el legado de Karl, ideal para los amantes del diseño, la moda y las piezas de colección que combinan arte y estilo en su máxima expresión.

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Esta muñeca Kokeshi de madera, inspirada en el icónico diseñador de moda Karl Lagerfeld, rinde homenaje a su estilo inconfundible. Con un diseño elegante y sofisticado, presenta su característica camisa de alto cuello, corbata negra y gafas de sol, capturando la esencia de su enfoque único y visionario en la moda. Un tributo lúdico a la creatividad y el legado de Karl, ideal para los amantes del diseño, la moda y las piezas de colección que combinan arte y estilo en su máxima expresión.

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Esta pieza única fusiona la elegancia clásica de las muñecas kokeshi japonesas con el diseño vanguardista de un ícono de la moda internacional. Hecha a mano y pintada con detalles precisos, la muñeca Kokeshi inspirada en Yves Saint Laurent se presenta como una obra de arte que destaca por su diseño contemporáneo y estilizado. Perfecta para añadir un toque sofisticado a tu hogar, ya sea en un escritorio, estantería o ventana. Una opción ideal para los amantes del arte, el diseño y la moda que buscan una pieza distintiva para su colección. Con su combinación de tradición y modernidad, es el complemento perfecto para quienes aprecian la intersección entre la cultura japonesa y el lujo moderno.

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Esta pieza única fusiona la elegancia clásica de las muñecas kokeshi japonesas con el diseño vanguardista de un ícono de la moda internacional. Hecha a mano y pintada con detalles precisos, la muñeca Kokeshi inspirada en Yves Saint Laurent se presenta como una obra de arte que destaca por su diseño contemporáneo y estilizado. Perfecta para añadir un toque sofisticado a tu hogar, ya sea en un escritorio, estantería o ventana. Una opción ideal para los amantes del arte, el diseño y la moda que buscan una pieza distintiva para su colección. Con su combinación de tradición y modernidad, es el complemento perfecto para quienes aprecian la intersección entre la cultura japonesa y el lujo moderno.

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Esta pieza única fusiona la elegancia clásica de las muñecas kokeshi japonesas con el diseño vanguardista de un ícono de la moda internacional. Hecha a mano y pintada con detalles precisos, la muñeca Kokeshi inspirada en Yves Saint Laurent se presenta como una obra de arte que destaca por su diseño contemporáneo y estilizado. Perfecta para añadir un toque sofisticado a tu hogar, ya sea en un escritorio, estantería o ventana. Una opción ideal para los amantes del arte, el diseño y la moda que buscan una pieza distintiva para su colección. Con su combinación de tradición y modernidad, es el complemento perfecto para quienes aprecian la intersección entre la cultura japonesa y el lujo moderno.

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Esta pieza única fusiona la elegancia clásica de las muñecas kokeshi japonesas con el diseño vanguardista de un ícono de la moda internacional. Hecha a mano y pintada con detalles precisos, la muñeca Kokeshi inspirada en Yves Saint Laurent se presenta como una obra de arte que destaca por su diseño contemporáneo y estilizado. Perfecta para añadir un toque sofisticado a tu hogar, ya sea en un escritorio, estantería o ventana. Una opción ideal para los amantes del arte, el diseño y la moda que buscan una pieza distintiva para su colección. Con su combinación de tradición y modernidad, es el complemento perfecto para quienes aprecian la intersección entre la cultura japonesa y el lujo moderno.

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