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Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

Evoking a touch of nature and celebrating natural materials, the Gravel rug combines undyed wool fibers with an unexpected weaving technique that adds depth and complexity to the design.

Looking at nature and its infinite manifestations, the Gravel rug, designed by Nina Bruun for MENU, represents the values ​​that make a house a home: warm, welcoming and comfortable. Carefully crafted from natural wool fibres, seen up close, its soft, alternating loops evoke the feeling of walking on a pebble beach. But, seen from a distance, the surface of the carpet seems to undulate like a field of corn blowing in the wind. The tactile surface is achieved using a technique whereby tonal woolen threads of different sizes are wound into tufts. The natural material softens the overall expression of the rug, which will work in any context, from private homes to public spaces.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

The Pepe Marble collection is perfect for the bathroom as one side of the mirror offers a regular reflection, while the other shows a 300% magnification.

Combinations of different marble colors with brushed brass offer a sophisticated contrast, emphasizing texture and the influence of materials.

A mirror that, while being utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

This piece from the Échasse collection offers a modern take on the traditional serving bowl.

Deep and spacious, the design turns fruit, flowers and any decorative object into an eye-catching display.

It also acts as a sculptural focal point when empty of content.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow chair, created between 1902 and 1904 for the Willow Tearooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to infuse every inch of mood shifting comfort with every curve that shaped our bodies. Its combination of wooden structure and foam create the ideal combination of robustness and comfortable luxury. Its sculptural form attracts from afar and when you sit down it fulfills the experience you imagine when you see it. Timeless in its expression and execution, the Tearoom collection gracefully adapts to any setting. Its attractive, organic shapes maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom Collection offers pieces for a multitude of spaces, from exclusive hotels, clubs and salons to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat and sofa in this collection fit the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.