Ambientes

With four elegant tubular steel legs as its base, the Rico chair is a refined addition to the Rico family. It can be placed or around the dining table and offer guests a comfortable and cozy seat during long dinners, or used as a desk chair at home or in the office.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

With four elegant tubular steel legs as its base, the Rico chair is a refined addition to the Rico family. It can be placed or around the dining table and offer guests a comfortable and cozy seat during long dinners, or used as a desk chair at home or in the office.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

With four elegant tubular steel legs as its base, the Rico chair is a refined addition to the Rico family. It can be placed or around the dining table and offer guests a comfortable and cozy seat during long dinners, or used as a desk chair at home or in the office.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

With four elegant tubular steel legs as its base, the Rico chair is a refined addition to the Rico family. It can be placed or around the dining table and offer guests a comfortable and cozy seat during long dinners, or used as a desk chair at home or in the office.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

With four elegant tubular steel legs as its base, the Rico chair is a refined addition to the Rico family. It can be placed or around the dining table and offer guests a comfortable and cozy seat during long dinners, or used as a desk chair at home or in the office.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

With four elegant tubular steel legs as its base, the Rico chair is a refined addition to the Rico family. It can be placed or around the dining table and offer guests a comfortable and cozy seat during long dinners, or used as a desk chair at home or in the office.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

With four elegant tubular steel legs as its base, the Rico chair is a refined addition to the Rico family. It can be placed or around the dining table and offer guests a comfortable and cozy seat during long dinners, or used as a desk chair at home or in the office.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

With four elegant tubular steel legs as its base, the Rico chair is a refined addition to the Rico family. It can be placed or around the dining table and offer guests a comfortable and cozy seat during long dinners, or used as a desk chair at home or in the office.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

With four elegant tubular steel legs as its base, the Rico chair is a refined addition to the Rico family. It can be placed or around the dining table and offer guests a comfortable and cozy seat during long dinners, or used as a desk chair at home or in the office.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

With four elegant tubular steel legs as its base, the Rico chair is a refined addition to the Rico family. It can be placed or around the dining table and offer guests a comfortable and cozy seat during long dinners, or used as a desk chair at home or in the office.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

With four elegant tubular steel legs as its base, the Rico chair is a refined addition to the Rico family. It can be placed or around the dining table and offer guests a comfortable and cozy seat during long dinners, or used as a desk chair at home or in the office.

The Rico series embraces curves and volumes in a classic design defined by soft lines and an enveloping expression. The curvaceous nature of the series adds a modern marriage of comfort and elegance to any space and draws you into its motherly embrace.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

A return to mid-century modern? Not quite. Extreme proportions lend themselves to striking, elegant form in this update on an old classic. The smooth, yet decisive shift between light and solid, created by the chair's curvaceous legs, occurs like a lively dance with the material. Meanwhile, balancing the weight toward the ground gives the chair a strong, monumental feel. In a central position of the sculptural structure is an upholstered seat, open to different expressions through the combinations of wood and upholstery.

With its bold geometry, the Bukowski chair displays a striking, instantly recognizable silhouette, familiar yet with its own personality. Also available in a wide variety of upholsteries upon request.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.