Ambientes

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Rising majestically from the ground, the Hashira floor lamp's cylindrical silhouette blends with elements of Western textile lampshades to give the design a familiar feel. The translucent fabric shade not only acts as a diffuser, casting light in multiple directions while creating an inviting, glare-free environment, it also adds a palpable appeal that enhances the softness of any space, both acoustically and tactilely.

MENU's Hashira Collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects present a perfect balance between simplicity and character.

Inspired by brutalism, the Post side table plays with shapes to present us with a round and simple but very attractive coffee table. Made of FSC-certified wood, and finished in high-gloss piano lacquer, this original table is available in several soft colors that contrast with its three robust cylindrical legs.

Inspired by brutalism, the Post side table plays with shapes to present us with a round and simple but very attractive coffee table. Made of FSC-certified wood, and finished in high-gloss piano lacquer, this original table is available in several soft colors that contrast with its three robust cylindrical legs.

Inspired by brutalism, the Post side table plays with shapes to present us with a round and simple but very attractive coffee table. Made of FSC-certified wood, and finished in high-gloss piano lacquer, this original table is available in several soft colors that contrast with its three robust cylindrical legs.

Inspired by brutalism, the Post side table plays with shapes to present us with a round and simple but very attractive coffee table. Made of FSC-certified wood, and finished in high-gloss piano lacquer, this original table is available in several soft colors that contrast with its three robust cylindrical legs.

Inspired by brutalism, the Post side table plays with shapes to present us with a round and simple but very attractive coffee table. Made of FSC-certified wood, and finished in high-gloss piano lacquer, this original table is available in several soft colors that contrast with its three robust cylindrical legs.

Inspired by brutalism, the Post side table plays with shapes to present us with a round and simple but very attractive coffee table. Made of FSC-certified wood, and finished in high-gloss piano lacquer, this original table is available in several soft colors that contrast with its three robust cylindrical legs.

Inspired by brutalism, the Post side table plays with shapes to present us with a round and simple but very attractive coffee table. Made of FSC-certified wood, and finished in high-gloss piano lacquer, this original table is available in several soft colors that contrast with its three robust cylindrical legs.

Inspired by brutalism, the Post side table plays with shapes to present us with a round and simple but very attractive coffee table. Made of FSC-certified wood, and finished in high-gloss piano lacquer, this original table is available in several soft colors that contrast with its three robust cylindrical legs.

Inspired by brutalism, the Post side table plays with shapes to present us with a round and simple but very attractive coffee table. Made of FSC-certified wood, and finished in high-gloss piano lacquer, this original table is available in several soft colors that contrast with its three robust cylindrical legs.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Designed by Ib Kofod-Larsen in 1951 and relaunched by MENU in 2018, the Knitting Lounge Chair is reinvented with a frame in natural oak, dark stained oak or walnut and new upholstery combinations including soft sheepskin, adding a touch modern to this iconic design. The sense of proportion and the incomparable quality of the chair make it a natural choice to incorporate into contemporary interiors. The playful nature of the Knitting Lounge Chair highlights its impeccable design. Named for the cutouts at the elbows that allow for maximum knitting (or reading) comfort, the chair is clearly the work of a master designer.

Offering optimum seating comfort and handcrafted in Sweden by skilled artisans using a careful blend of traditional and modern craft techniques, the Knitting Lounge Chair's masterful proportion and unexpected, sculptural form add character to any room and a sense of space. timeless design of the highest quality.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

Poul Henningsen designed the three screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. Additionally, he used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Desktop is part of the family of three screens, which currently already has 30 lights, including three for outdoor use. Therefore, PH did not just design a light but a whole system; over the years, about a thousand different models have been created. This wide selection included table, floor and wall lamps, as well as a series of chandeliers that were very popular in the 1930s to illuminate private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first lampshades were made of metal, with an inner face painted white, gold or silver, depending on whether a diffused, warm or cold light was desired. Later, glass began to be used for the three-screen system. In addition to casting light downward, the glass lamps illuminated the rest of the room.
PH was the first person to apply a scientific approach to light based on the lituus curve. By using a design based on the lituus curve, he achieved an even distribution of light across the entire curve of the screen. This uniform distribution, together with the diffuse reflection through the glass, allowed glare and shadows to be controlled. Each screen reduces the amount of light equally thanks to its distance from the light source.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The proportions of the Androgyne collection and the mixed materials provide a sense of harmony. The essence of the tables is their duality; elegant, yet powerful; masculine, but feminine. Useful for everything from small restaurant spaces and private dining rooms to display spaces, its sculptural forms add an artistic silhouette to any room.
The collection has been expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the age-old tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of the kunis breccia stone, an artistic mix of different stones in warm tones, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal kits and elegant silhouette, Androgyne was originally designed as a side table for Menu's former Showroom, but quickly went into production to be offered to the public. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of the masculine and feminine – true androgyny – is what gives the collection its name.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

Patera, a work of mathematical art, presents several cells, each of which is expressly formed by the exact angles to offer its characteristic and extraordinary play between light and shadow. Hand-assembled by the experts at the Vejen production facility, each Patera exemplifies the meticulous craftsmanship that guarantees high quality without exception.

This spherical suspension lamp emits a glare-free effluvium of light that is reflected in the small rhombic cells that make up the luminaire. The structure of the lamp ensures that the light does not glare from an angle greater than 45 degrees, while allowing the luminaire to emit a downward directed light and an upward glow, illuminating the ceiling to add ambiance to the environment. The design of each cell shapes the light by creating smooth transitions between direct and reflected light to highlight the incredibly radiant sphere of this pendant lamp.

This versatile end table from the Mass series functions as a graceful and majestic platform for sculptural objects, but is also spacious enough to hold a table lamp while leaving room for your book or cup of coffee. Like the rest of this series, a beautiful walnut veneer takes center stage, providing a warm and stable base for whatever items you choose to place on it. Let the table function as a practical end table next to your sofa, armchair or bed, or leave it alone to display special pieces.

This versatile end table from the Mass series functions as a graceful and majestic platform for sculptural objects, but is also spacious enough to hold a table lamp while leaving room for your book or cup of coffee. Like the rest of this series, a beautiful walnut veneer takes center stage, providing a warm and stable base for whatever items you choose to place on it. Let the table function as a practical end table next to your sofa, armchair or bed, or leave it alone to display special pieces.

This versatile end table from the Mass series functions as a graceful and majestic platform for sculptural objects, but is also spacious enough to hold a table lamp while leaving room for your book or cup of coffee. Like the rest of this series, a beautiful walnut veneer takes center stage, providing a warm and stable base for whatever items you choose to place on it. Let the table function as a practical end table next to your sofa, armchair or bed, or leave it alone to display special pieces.

This versatile end table from the Mass series functions as a graceful and majestic platform for sculptural objects, but is also spacious enough to hold a table lamp while leaving room for your book or cup of coffee. Like the rest of this series, a beautiful walnut veneer takes center stage, providing a warm and stable base for whatever items you choose to place on it. Let the table function as a practical end table next to your sofa, armchair or bed, or leave it alone to display special pieces.

This versatile end table from the Mass series functions as a graceful and majestic platform for sculptural objects, but is also spacious enough to hold a table lamp while leaving room for your book or cup of coffee. Like the rest of this series, a beautiful walnut veneer takes center stage, providing a warm and stable base for whatever items you choose to place on it. Let the table function as a practical end table next to your sofa, armchair or bed, or leave it alone to display special pieces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

While the other members of the Covent family balance the elements; the Covent Lounge Chair and the Covent Sofa present a universe of warmth. The soft, organic top of the Covent chair has been extended to the floor, the bold frame replaced with the soft touch of an upholstered base and generous seat cushion. Showcasing expert detail and craftsmanship, these pieces invite you to snuggle up and feel the softness and cocoon of each upholstered surface.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.