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Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Made of high-quality natural wool, this rug in a warm beige color creates a relaxing element in your home. The melange yarn gives the rug a subtle play of nuances, and the natural expression gives it an organic touch. Also available in reduced size.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

Initially designed to illuminate the then central offices of the FAD (Fomento de las Artes y del Diseño). This association, founded in 1903 by a group of artisans and architects concerned about the consequences of industrialization, was a pioneer for decades in the defense of architecture and projective arts in Spain.

After experimenting with four leftover pieces of wood, Miguel Milá created the FAD lamp. It is a cylindrical oak structure that produces a symmetrical verticality and supports an almost cylindrical white linen screen. The characteristic cross intersection of the legs, which refers to other Miguel Milá classics, has the same dimension as the lower circumference of the lampshade.
Without concession to unnecessary adornment, the FAD table and floor lamps impress with their extreme simplicity. Available in two tabletop versions: FAD, the large size allows you to regulate the light, and smaller FAD, it is ideal for uses where less light intensity is required.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a challenge between the firm and the delicate, the Metallic Basket is the updated reissue of the metallic version of the Basket that has its own attributes. It comes with or without a handle, in this case made of leather, the softness of which contrasts with the steely severity of the plates that gently hold an opal globe that does not have a top opening.

Miguel Milá knew how to master the expressiveness of steel, endowing it with a fragile heart and the touch of good leather, in a masterful expression of strength and emotion, the useful and the everyday. It is produced manually, by European artisans, using the traditional techniques of blowing its opal glass globe.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

Designed to meticulously hold books in place, the abstract shapes of Converge Bookends are made from volcanic lava stone. A dark, porous material with a highly textured surface. They can be used functionally, one on each side of a row of books, or linked together to create a sculpture that delights with its intriguing shape and feel.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

The Cestita Alubat portable lamp is the new member of the Cesta family. Solid yet lightweight, it's ready for all kinds of excursions indoors and outdoors. Its aluminum structure, with a closed plastic balloon for better sealing and with a rechargeable battery, stands out for its sobriety. It has a switch integrated into the luminaire with 3 intensity levels.

The small version of the Cesta lamp is defined by a smaller section in its structure, which houses a small opal glass globe where its light is sheltered. This design, which constitutes an object-lamp that creates spaces of pleasure wherever it is located, has become one of the most popular international icons of its author.
The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Exterior, Cesta Metálica, Cestita Metálica table lamps, the wall lamp Wally Cesta and Wally Cestita, and the suspension lamps Globo Cesta and Globo Cestita, icons of Mediterranean warmth and well-being. These masterpieces by Miguel Milá are part of our Design Classics collection, a set of objects created during different periods of modernity.

With its organic and flowing shape, the Forma wool rug has a very distinctive yet soft expression. Made with soft New Zealand wool and with a high thread count, the rug has a monochrome contribution of color and a very enveloping feel. Use the Forma wool rug to give your living room a subtle artistic touch and a nice texture, or place it in the bedroom to ensure that the first thing you step on in the morning is a cozy and luxurious rug.

With its organic and flowing shape, the Forma wool rug has a very distinctive yet soft expression. Made with soft New Zealand wool and with a high thread count, the rug has a monochrome contribution of color and a very enveloping feel. Use the Forma wool rug to give your living room a subtle artistic touch and a nice texture, or place it in the bedroom to ensure that the first thing you step on in the morning is a cozy and luxurious rug.

With its organic and flowing shape, the Forma wool rug has a very distinctive yet soft expression. Made with soft New Zealand wool and with a high thread count, the rug has a monochrome contribution of color and a very enveloping feel. Use the Forma wool rug to give your living room a subtle artistic touch and a nice texture, or place it in the bedroom to ensure that the first thing you step on in the morning is a cozy and luxurious rug.

With its organic and flowing shape, the Forma wool rug has a very distinctive yet soft expression. Made with soft New Zealand wool and with a high thread count, the rug has a monochrome contribution of color and a very enveloping feel. Use the Forma wool rug to give your living room a subtle artistic touch and a nice texture, or place it in the bedroom to ensure that the first thing you step on in the morning is a cozy and luxurious rug.

With its organic and flowing shape, the Forma wool rug has a very distinctive yet soft expression. Made with soft New Zealand wool and with a high thread count, the rug has a monochrome contribution of color and a very enveloping feel. Use the Forma wool rug to give your living room a subtle artistic touch and a nice texture, or place it in the bedroom to ensure that the first thing you step on in the morning is a cozy and luxurious rug.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.

With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

Collection of shelves with trolleys, shelves, sideboards and television furniture inspired by the classic and mythical shelf "La Literatura" designed in 1985 and winner of awards and distinctions such as the ADI FAD selection of 1986. Exhibited in Museums and with an indisputable contribution to obtaining the National Design Award for punt in 1997. Cataloged as a contemporary classic since 1997. Its unmistakable cart on wheels has served for decades to store countless books, as well as to embrace the digital age and integrate with balance, beauty and emotion in all types of architecture and interior design. In this version, the OPEN, designed in 2014, the volumes become transparent and even lighter, at the same time that containers can be incorporated and opening up the possibility of generating room divisions. fixed shelves. Base with adjustable feet.

The strict horizontal lines, together with its slim powder-coated metal legs, give this daybed a light and elegant look. Fitted with two leather harness-like belts as a fresh, modern detail, adding to the premium feel and keeping the cushion firmly in place. Flip the reversible two-tone cushion to create an understated, classic expression or a bolder, more distinctive one, depending on your personal mood or style.

The strict horizontal lines, together with its slim powder-coated metal legs, give this daybed a light and elegant look. Fitted with two leather harness-like belts as a fresh, modern detail, adding to the premium feel and keeping the cushion firmly in place. Flip the reversible two-tone cushion to create an understated, classic expression or a bolder, more distinctive one, depending on your personal mood or style.

The strict horizontal lines, together with its slim powder-coated metal legs, give this daybed a light and elegant look. Fitted with two leather harness-like belts as a fresh, modern detail, adding to the premium feel and keeping the cushion firmly in place. Flip the reversible two-tone cushion to create an understated, classic expression or a bolder, more distinctive one, depending on your personal mood or style.

The strict horizontal lines, together with its slim powder-coated metal legs, give this daybed a light and elegant look. Fitted with two leather harness-like belts as a fresh, modern detail, adding to the premium feel and keeping the cushion firmly in place. Flip the reversible two-tone cushion to create an understated, classic expression or a bolder, more distinctive one, depending on your personal mood or style.

The strict horizontal lines, together with its slim powder-coated metal legs, give this daybed a light and elegant look. Fitted with two leather harness-like belts as a fresh, modern detail, adding to the premium feel and keeping the cushion firmly in place. Flip the reversible two-tone cushion to create an understated, classic expression or a bolder, more distinctive one, depending on your personal mood or style.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

The Rise & Shine wall mirror uses bold shapes with an asymmetrical composition to create a distinctive spread through the space. An oak center point allows the mirror and brass components to push and pull against each other, providing an ever-changing point of reflection.
Whether used for different functions or simply to create a fascinating interior sculpture, Rise and Shine becomes a striking piece full of balance and movement.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Jaime Hayon designed the terracotta Gardenias vases as a complement to his collection of outdoor armchairs. Unique and suggestive shapes with the unmistakable hallmark of Hayon.

Gardenias is a collection of garden furniture. Subtlety, beauty and memory are omnipresent in its design, together with the determination to make the collection broad, varied, versatile and open. There is room for sculptural vases and surprisingly fine terracotta planters.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.

Combining a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series adapts to a variety of settings and activities; while exuding sophistication through each tailored line. A sculptural simplicity and an honest palette of materials bring the family together.