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The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

The Missing chair appears as if a simple line drawing had come to life. Sensual yet strong, the gentle curve of each line creates a whimsical stroke that is hard to describe. The straight lines have been softened, allowing the wooden seat and back to appear to float above the slim steel frame.

The result is the essential elements in a very own interpretation of the humble cafe chair: lightweight, stackable and durable, complete with a very comfortable silhouette.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the 1948 ROYAL SYSTEM®. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
He wanted to create a chair in the spirit of the time, inspired by other designer chairs from the 1950s, but lighter and "smaller", both in its physical weight and in its expressive design. The chair was developed on a "less is more" concept, focusing on the minimum consumption of material, maintaining a high level of detail and excellent comfort.

The slim conical legs in solid wood provide a very light visual expression, which is further emphasized by two precise details; the round, hand-sanded finish on the top of the hind legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope and the back is molded, providing optimal seating comfort. It takes two hours just to hand-knit the seat, so making the chair is a slow process that requires patience and great precision.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

Chariot is a mobile side table made up of three simple elements linked together: wheels, trays and structure. The wheels, which in beverage or waitress trolleys are usually small, have been taken to the extreme by increasing their size, becoming the iconic element of this well-known design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments and the metal structure is also a handle: by slightly lifting the trolley, it can be moved.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

TERRA is a simple collection, but with a lot of character, whose details define its general appearance and enhance the craftsmanship of cabinetmaking, combined with the industrial process of curved wood. The straightness of the structure contrasts with the smooth curve of the set formed by seat and back. Isaac Piñeiro defines the seat as "a silhouette with soft lines that joins an oak structure". The encounter between seat and structure plays a very important role, since it gives the impression that the seat is supported practically without supports on the structure.

The collection has been conceived both for domestic spaces and for a contract that seeks formal and material quality. Isaac Piñeiro, to provide more options, has dressed it with fabrics that accompany the different wood finishes, in its upholstered version, which can be requested upon request.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a steel frame in a black finish with faux leather for an industrial look.
Holding up to 8 bottles, this reissued design is ideal for wine cellars or as a free-standing shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

High stool with oak wood seat and central swivel aluminum injection base, adjustable in height, available in different colours. Seat height range: 680-810 mm. Available on request with upholstered seat. In upholstered versions, the seat height increases by 20 mm.

An iconic and functional bench, born as a visual game from the symmetry between the seat, the base and the orbital position of the footrest. Height adjustable, it is made of injected aluminum in different colors and upholstered or wooden seat. It offers high and low back versions, for work and collaboration spaces, restaurants, hotels or canteens and at home.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

This light table is available with a rectangular, oval or round top, all of them on a minimalist base and legs. The Snaregade table can be located in the dining room or in a meeting room and is suitable for both a home and an office or other space that requires a large seating capacity. The finish of the top can be done in natural veneer, solid oak or in a thin linoleum adhered to the painted top, which exposes the natural beauty of the wooden structure.

This table was originally built for Menu founder Bjarne Hansen's home, answering the question: what does the founder of a furniture company need in his dining room? I needed a table that was space efficient, visually light and, of course, sophisticated. The proposal has been in production ever since. Menu brings personality and intimacy to each of its pieces and Snaregade is a great example of these values, adapting in a personalized way to each environment.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Zero collection is a series of tables with a highly functional character and many possibilities of use.

Characteristics:

• Base: the base is round in steel and the column in aluminium. The outer edge of the base is rounded. Under the base, six rubber feet protect delicate floors. There are two base diameters: Ø45 cm and Ø55 cm.
• Column: the base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: for each of the lid materials, a suitable edge has been designed. For wooden tops it has a smooth rounded edge. Both for HPL and glass, the edge is straight to make it stronger.
• Glass Lids: the glass lids are made of 12 mm thick tempered safety glass, very resistant. The glass is attached to the base by means of two stainless steel discs: one glued to the glass using ultraviolet technology, and the other disc screwed to the column.
• Wood and HPL tops: the wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer or black stained ash veneer. The surface is protected with an acrylic layer for great durability. STUA's MDF is free of formaldehyde. White HPL tops are 12mm with black trim.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

The Deneb table has a minimalist, essential design. The anodized aluminum structure is assembled from four elements made with great precision that are linked to embrace the lid. The personality of the Deneb table and the formal elegance it projects allow you to decorate a space around it.

Characteristics:

• Structure: the aluminum structure is very light and resistant, and is valid for both interior and exterior. It can be: anodized aluminium, lacquered in white or lacquered in black.
• Versatility: the numerous possible combinations between structures and tops make the Deneb table fit into any environment.
• Tops: the tops of the Deneb tables that are used for outdoor use can be made of transparent glass, White HPL with a 12 mm black edge. or 20 mm solid teak.
• Teak: solid teak wood comes from sustainably managed forests. Teak ages over time and takes on a duller gray color. For the maintenance of teak it is necessary to apply oil annually.
• Fixings: Deneb benches and tables can be anchored to the floor, in which case it is necessary to request the anchors when ordering.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.

At the Lau table, the formal leading role is taken by the delivery between the legs and the top. Inspired by living forms, the leg inclines and widens into a curve as it meets the top. With this single gesture, the design provides greater strength to the union as well as conferring personality to the furniture. The Laclasica chairs are the ideal complement for these tables, since they are stained in the same tones.

Characteristics:

• Design: the elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones, and more elegant in dark tones.
• Legs: the legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: the top of the Lau table is made of 19 mm thick MDF with ash veneer. Formaldehyde free MDF. The lids have a beveled edge, which gives a feeling of lightness.
• Stained: Ash is clean and contemporary, and STUA gives it a very natural matte finish. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
• Rectangular tables: large rectangular tables have a hidden metal reinforcement. That is why its silhouette is thicker, to obtain stability.