Ambientes
Descubre nuestros productos en un contexto real y encuentra la inspiración que necesitas.
Adéntrate en una experiencia única donde podrás explorar nuestros productos de diseño en un entorno real. Visualiza cómo encajan en tu hogar y descubre su versatilidad. Déjate inspirar por las distintas opciones y encuentra los muebles que mejor se adaptan a tus gustos y necesidades.
Explora, imagina y crea tu hogar ideal.
Macetero Plant Box dos niveles
Llevando el popular Plant Box a nuevas alturas, esta mesa consola de dos niveles tiene las reconocibles líneas elegantes de la serie, pero en una configuración completamente nueva. La bandeja superior y el estante inferior son ideales para guardar y lucir accesorios decorativos, así como objetos prácticos y cotidianos como tazas, platos y botellas. Su silueta delgada encajará en la mayoría de los espacios, como soporte para plantas de interior o solución de almacenamiento en el balcón.
Macetero Plant Box dos niveles
Llevando el popular Plant Box a nuevas alturas, esta mesa consola de dos niveles tiene las reconocibles líneas elegantes de la serie, pero en una configuración completamente nueva. La bandeja superior y el estante inferior son ideales para guardar y lucir accesorios decorativos, así como objetos prácticos y cotidianos como tazas, platos y botellas. Su silueta delgada encajará en la mayoría de los espacios, como soporte para plantas de interior o solución de almacenamiento en el balcón.
Macetero Plant Box dos niveles
Llevando el popular Plant Box a nuevas alturas, esta mesa consola de dos niveles tiene las reconocibles líneas elegantes de la serie, pero en una configuración completamente nueva. La bandeja superior y el estante inferior son ideales para guardar y lucir accesorios decorativos, así como objetos prácticos y cotidianos como tazas, platos y botellas. Su silueta delgada encajará en la mayoría de los espacios, como soporte para plantas de interior o solución de almacenamiento en el balcón.
Macetero Plant Box dos niveles
Llevando el popular Plant Box a nuevas alturas, esta mesa consola de dos niveles tiene las reconocibles líneas elegantes de la serie, pero en una configuración completamente nueva. La bandeja superior y el estante inferior son ideales para guardar y lucir accesorios decorativos, así como objetos prácticos y cotidianos como tazas, platos y botellas. Su silueta delgada encajará en la mayoría de los espacios, como soporte para plantas de interior o solución de almacenamiento en el balcón.
Macetero Plant Box dos niveles
Llevando el popular Plant Box a nuevas alturas, esta mesa consola de dos niveles tiene las reconocibles líneas elegantes de la serie, pero en una configuración completamente nueva. La bandeja superior y el estante inferior son ideales para guardar y lucir accesorios decorativos, así como objetos prácticos y cotidianos como tazas, platos y botellas. Su silueta delgada encajará en la mayoría de los espacios, como soporte para plantas de interior o solución de almacenamiento en el balcón.
Macetero Plant Box dos niveles
Llevando el popular Plant Box a nuevas alturas, esta mesa consola de dos niveles tiene las reconocibles líneas elegantes de la serie, pero en una configuración completamente nueva. La bandeja superior y el estante inferior son ideales para guardar y lucir accesorios decorativos, así como objetos prácticos y cotidianos como tazas, platos y botellas. Su silueta delgada encajará en la mayoría de los espacios, como soporte para plantas de interior o solución de almacenamiento en el balcón.
Macetero Plant Box dos niveles
Llevando el popular Plant Box a nuevas alturas, esta mesa consola de dos niveles tiene las reconocibles líneas elegantes de la serie, pero en una configuración completamente nueva. La bandeja superior y el estante inferior son ideales para guardar y lucir accesorios decorativos, así como objetos prácticos y cotidianos como tazas, platos y botellas. Su silueta delgada encajará en la mayoría de los espacios, como soporte para plantas de interior o solución de almacenamiento en el balcón.
Macetero Plant Box dos niveles
Llevando el popular Plant Box a nuevas alturas, esta mesa consola de dos niveles tiene las reconocibles líneas elegantes de la serie, pero en una configuración completamente nueva. La bandeja superior y el estante inferior son ideales para guardar y lucir accesorios decorativos, así como objetos prácticos y cotidianos como tazas, platos y botellas. Su silueta delgada encajará en la mayoría de los espacios, como soporte para plantas de interior o solución de almacenamiento en el balcón.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Sillón Buur Lounge Chair
El sillón Buur combina sin esfuerzo comodidad y elegancia, con un asiento y respaldo lujosamente acolchados. Diseñada en colaboración con Says Who, el sillón tiene unos reposabrazos curvos distintivos elaborados con roble certificado FSC™ que evocan maravillosamente un movimiento natural, realzando su diseño redondeado. Con su suave construcción, el silln Buur invita a disfrutar de su lujosa tapicería y experimentar un abrazo realmente envolvente. Con su estética de inspiración vintage, el sillón Buur es una pieza espectacular en cualquier habitación.
Portavelas Kubus T
El portavelas KUBUS T es un icono del diseño danés desde su creación en 1962 por el arquitecto Mogens Lassen. Su diseño simple y elegante, con un cubo de metal sobre un pedestal, lo convierten en un complemento perfecto para cualquier hogar.
El portavelas KUBUS T es una pieza versátil que puede utilizarse en una variedad de ocasiones. Es perfecto para una cena romántica, una noche de cine o simplemente para disfrutar de una taza de café por la mañana.
Portavelas Kubus T
El portavelas KUBUS T es un icono del diseño danés desde su creación en 1962 por el arquitecto Mogens Lassen. Su diseño simple y elegante, con un cubo de metal sobre un pedestal, lo convierten en un complemento perfecto para cualquier hogar.
El portavelas KUBUS T es una pieza versátil que puede utilizarse en una variedad de ocasiones. Es perfecto para una cena romántica, una noche de cine o simplemente para disfrutar de una taza de café por la mañana.
Portavelas Kubus T
El portavelas KUBUS T es un icono del diseño danés desde su creación en 1962 por el arquitecto Mogens Lassen. Su diseño simple y elegante, con un cubo de metal sobre un pedestal, lo convierten en un complemento perfecto para cualquier hogar.
El portavelas KUBUS T es una pieza versátil que puede utilizarse en una variedad de ocasiones. Es perfecto para una cena romántica, una noche de cine o simplemente para disfrutar de una taza de café por la mañana.
Portavelas Kubus T
El portavelas KUBUS T es un icono del diseño danés desde su creación en 1962 por el arquitecto Mogens Lassen. Su diseño simple y elegante, con un cubo de metal sobre un pedestal, lo convierten en un complemento perfecto para cualquier hogar.
El portavelas KUBUS T es una pieza versátil que puede utilizarse en una variedad de ocasiones. Es perfecto para una cena romántica, una noche de cine o simplemente para disfrutar de una taza de café por la mañana.
Portavelas Kubus T
El portavelas KUBUS T es un icono del diseño danés desde su creación en 1962 por el arquitecto Mogens Lassen. Su diseño simple y elegante, con un cubo de metal sobre un pedestal, lo convierten en un complemento perfecto para cualquier hogar.
El portavelas KUBUS T es una pieza versátil que puede utilizarse en una variedad de ocasiones. Es perfecto para una cena romántica, una noche de cine o simplemente para disfrutar de una taza de café por la mañana.
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
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Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
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Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
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Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Sofá Majestic
El sofá Majestic combina líneas elegantes, limpias y puras con la comodidad que proporciona una zona de confort y suavidad; cualidades que se transmiten al respaldo del sofá. Estéticamente, una de sus características más distintivas es una base visible formada por un sistema de doble pata que revela la ligereza y la fuerza de la estructura.
Ver producto relacionado
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
Estante Museum NM&.045
El Estante Museum NM&.045 de la marca String es un estante consola de diseño minimalista y funcional. Fue diseñado originalmente en 1962 por Nisse Strinning para el Museo Nacional de Suecia, donde se utilizó para exhibir obras de arte en la cafetería y el restaurante del museo.
El estante está fabricado en aluminio. Se compone de dos soportes laterales, una barra horizontal y una balda. Los soportes laterales se fijan a la pared mediante dos tornillos. La barra horizontal se coloca en los soportes laterales y la balda se coloca sobre la barra horizontal.
El estante NM&.045 de la colección Museum es un producto versátil que puede utilizarse como mesilla de noche, mesita auxiliar o expositor de objetos decorativos. Es una pieza de diseño atemporal que encaja en cualquier estilo de decoración.
Está disponible en cinco colores: blanco, aluminio, beige, naranja y marrón oscuro.
String System Espacio de Trabajo B
Independientemente de si tiene su espacio de trabajo en la oficina o en el hogar, tenemos la solución que cubre todas sus necesidades. Este espacio de trabajo de dos secciones montadas en suelo le ofrece multitud de posibilidades de almacenamiento sin ocupar demasiado espacio.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Espacio de Trabajo B
Independientemente de si tiene su espacio de trabajo en la oficina o en el hogar, tenemos la solución que cubre todas sus necesidades. Este espacio de trabajo de dos secciones montadas en suelo le ofrece multitud de posibilidades de almacenamiento sin ocupar demasiado espacio.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Espacio de Trabajo B
Independientemente de si tiene su espacio de trabajo en la oficina o en el hogar, tenemos la solución que cubre todas sus necesidades. Este espacio de trabajo de dos secciones montadas en suelo le ofrece multitud de posibilidades de almacenamiento sin ocupar demasiado espacio.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Espacio de Trabajo B
Independientemente de si tiene su espacio de trabajo en la oficina o en el hogar, tenemos la solución que cubre todas sus necesidades. Este espacio de trabajo de dos secciones montadas en suelo le ofrece multitud de posibilidades de almacenamiento sin ocupar demasiado espacio.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Espacio de Trabajo B
Independientemente de si tiene su espacio de trabajo en la oficina o en el hogar, tenemos la solución que cubre todas sus necesidades. Este espacio de trabajo de dos secciones montadas en suelo le ofrece multitud de posibilidades de almacenamiento sin ocupar demasiado espacio.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Espacio de Trabajo B
Independientemente de si tiene su espacio de trabajo en la oficina o en el hogar, tenemos la solución que cubre todas sus necesidades. Este espacio de trabajo de dos secciones montadas en suelo le ofrece multitud de posibilidades de almacenamiento sin ocupar demasiado espacio.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Espacio de Trabajo B
Independientemente de si tiene su espacio de trabajo en la oficina o en el hogar, tenemos la solución que cubre todas sus necesidades. Este espacio de trabajo de dos secciones montadas en suelo le ofrece multitud de posibilidades de almacenamiento sin ocupar demasiado espacio.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Espacio de Trabajo B
Independientemente de si tiene su espacio de trabajo en la oficina o en el hogar, tenemos la solución que cubre todas sus necesidades. Este espacio de trabajo de dos secciones montadas en suelo le ofrece multitud de posibilidades de almacenamiento sin ocupar demasiado espacio.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Espacio de Trabajo B
Independientemente de si tiene su espacio de trabajo en la oficina o en el hogar, tenemos la solución que cubre todas sus necesidades. Este espacio de trabajo de dos secciones montadas en suelo le ofrece multitud de posibilidades de almacenamiento sin ocupar demasiado espacio.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Espacio de Trabajo B
Independientemente de si tiene su espacio de trabajo en la oficina o en el hogar, tenemos la solución que cubre todas sus necesidades. Este espacio de trabajo de dos secciones montadas en suelo le ofrece multitud de posibilidades de almacenamiento sin ocupar demasiado espacio.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
String System Salón D
Solución mural de aparador de líneas limpias y elegantes con multitud de posibilidades de almacenamiento.
Un sistema de estanterías de diseño escandinavo que solucionará todos tus problemas de almacenamiento. El sistema le permite construir la estantería con la que siempre ha soñado. Cree una estantería única y personal combinando estantes metálicos y de madera. O diviértase jugando con colores y accesorios. Las posibilidades son infinitas. El sistema de estanterías String® es muy conocido por sus característicos paneles de rejilla metálica, diseñados en 1949 por el arquitecto Nisse Strinning con la colaboración de Kajsa Strinning.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Laclassic chair
Recovering the typology and style of the old wooden chairs, Laclasica redefines tradition with a bath of simplicity and contemporaneity. The silhouette of this chair seems like it has always been with us, and yet it is new and avant-garde. Laclasica is a chair full of curves that continue the undulations of the human body, blending in with them. Its shape is sensual and welcoming.
Characteristics:
- Design: Advanced 3D molded wood technology allows you to create a chair with pronounced curves in the seat and back that adapt to the body. The classic is light and durable. All the wooden pieces are assembled together by means of an aluminum injection piece under the seat, which gives the chair enormous strength.
- Wood: Laclasica is made of ash wood from European forests with sustainable management. The ash is clean and contemporary, and STUA applies a very natural matt finish to it. First the wood is stained, and the color penetrates deep into the ash. It is then protected with an acrylic layer. Both factors give it great durability.
- Stackable: the Laclasica chair can be stacked on the ground up to four units. Rubber spacers protect the seat surface. These studs can be easily removed if the chairs are not to be stacked.
- Seat: the seat has a curved front edge to facilitate circulation in the legs. The seat can be upholstered in any of the fabrics from the STUA Kvadrat collection, in eco-leather or in STUA leather. The foam is thin to maintain the aesthetics of the chair.
- Cleats: Laclasica always has rubber cleats that can be easily replaced by felt cleats. These extra pegs for delicate floors are shipped with each chair.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Flap Coffee Table
The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.
Innovations:
- Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
- Black Fenix Lids: Fenix is an innovative supermatte nanotechnological material. The outer surface of Fenix is obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix is capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix is highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
- Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Harbor Chair with Oak Base
Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.
pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Oyster Wall Lamp
Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.
Ver producto relacionado
Oyster Wall Lamp
Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.
Ver producto relacionado
Oyster Wall Lamp
Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.
Ver producto relacionado
Oyster Wall Lamp
Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.
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Oyster Wall Lamp
Made from recycled cast aluminium, the Oyster wall lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic shape.
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Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
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Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
Ver producto relacionado
Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
Ver producto relacionado
Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
Ver producto relacionado
Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
Ver producto relacionado
Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
Ver producto relacionado
Oyster table lamp
Made from recycled cast aluminium, the Oyster table lamp has a decorative and organic shape thanks to its soft and dynamic curves. Evoking shells collected from the beach, the lamp's texture and finish have a distinctive, rough expression due to the casting process, and the interplay between its organic shape and raw surface creates an irresistible contrast. Emitting a soft and cozy diffused light, the Oyster table lamp is a functional as well as sculptural piece that will add a high decorative value to your home.
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Ginger Portable Lamp
Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.
With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.
Ginger Portable Lamp
Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.
With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.
Ginger Portable Lamp
Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.
With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.
Ginger Portable Lamp
Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.
With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.
Ginger Portable Lamp
Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.
With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.
Ginger Portable Lamp
Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.
With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.
Ginger Portable Lamp
Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.
With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.
Ginger Portable Lamp
Originally, the Ginger began as a wooden design, a great ally for the most intimate lighting. The combination of sheets of wood, paper and high-pressure pressed resins achieves a luminaire with an almost flat, sober appearance, which illuminates spaces with direct light by reflection from a slight presence.
Within the same collection, the Ginger is also published in metal, a very different material that offers the same warm light, without dazzling and that helps to emphasize spaces. The metal version is applied to some models of the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, refined, almost sculptural possibility.
With a rechargeable lithium ion battery, the portable version of the Ginger allows you to freely illuminate a space autonomously, without the need for cables. In its portable version, the interior of the base houses a battery with 5 hours of autonomy at full capacity.
This collection is offered to provide a solution to different lighting needs, with different suspension, tabletop, wall and floor versions. With these two highly diverse materials –wood and metal– Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Floor lamp PH 80
This design is based on Poul Henningsen's celebrated three-shade system, created in 1925 to shape exceptional glare-free lighting.
Henningsen's approach to lighting was notable for its scientism and was the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved a uniform light distribution thanks to the multi-shade system that reduced glare as well as shadows.
PH 80 was created in 1974 in homage to what would have been the 80th anniversary of Poul Henningsen, as its name indicates.
*Currently the version with a high-gloss Chrome finish has a delivery time of more than 12 weeks. All other versions are in stock.
Ver producto relacionado
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Table lamp AJ Desktop
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Echasse Vase
This vase was the first piece to be designed from the now iconic Échasse collection .
Theresa Rand was inspired by test tubes in a laboratory. Its drop shape gives it an elegance that is compatible with a reception desk, a living room or even a bedside table, whether it contains flowers or not.
In its smoked glass version, available in three sizes, the unique color gradients of the glass give it a depth that contrasts with the clean lines of the brushed brass base.
The small version of the vase is also available with the clear glass and the bronzed brass base, a classic combination to complement any interior, in an ideal size for more compact spaces.
Ver producto relacionado
Barcelona Mini Clock
The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.
The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.
Barcelona Mini Clock
The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.
The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.
Barcelona Mini Clock
The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.
The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.
Barcelona Mini Clock
The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.
The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.
Barcelona Mini Clock
The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.
The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.
Barcelona Mini Clock
The Mini Barcelona clock is a piece with refined lines. Reduced version of the successful Barcelona model. Clock made up of a double black fiberglass ring, which combines walnut pieces with metallic details.
The clocks for interiors of the Nomon firm are made using traditional processes. These pieces of great visual impact are perfect for creating contemporary environments with a strong avant-garde accent.
Kokeshi Dolls Freddie Mercury
La muñeca Kokeshi Freddie rinde homenaje a una de las mayores leyendas del rock de todos los tiempos. Inspirada en su icónico atuendo del tour europeo “Magic” de 1986, esta pieza captura la esencia de Freddie Mercury con su emblemática chaqueta militar amarilla. Con un diseño que celebra su personalidad teatral y su talento vocal inigualable, esta muñeca es un tributo único a un artista que dejó una huella imborrable en la música y el mundo. Perfecta para coleccionistas y amantes del rock, es un recordatorio del legado vibrante de Freddie.
Kokeshi Dolls Freddie Mercury
La muñeca Kokeshi Freddie rinde homenaje a una de las mayores leyendas del rock de todos los tiempos. Inspirada en su icónico atuendo del tour europeo “Magic” de 1986, esta pieza captura la esencia de Freddie Mercury con su emblemática chaqueta militar amarilla. Con un diseño que celebra su personalidad teatral y su talento vocal inigualable, esta muñeca es un tributo único a un artista que dejó una huella imborrable en la música y el mundo. Perfecta para coleccionistas y amantes del rock, es un recordatorio del legado vibrante de Freddie.
Kokeshi Dolls Freddie Mercury
La muñeca Kokeshi Freddie rinde homenaje a una de las mayores leyendas del rock de todos los tiempos. Inspirada en su icónico atuendo del tour europeo “Magic” de 1986, esta pieza captura la esencia de Freddie Mercury con su emblemática chaqueta militar amarilla. Con un diseño que celebra su personalidad teatral y su talento vocal inigualable, esta muñeca es un tributo único a un artista que dejó una huella imborrable en la música y el mundo. Perfecta para coleccionistas y amantes del rock, es un recordatorio del legado vibrante de Freddie.
Kokeshi Dolls Aladdin Sane
La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.
Kokeshi Dolls Aladdin Sane
La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.
Kokeshi Dolls Aladdin Sane
La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.
Kokeshi Dolls Aladdin Sane
La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.
Kokeshi Dolls Aladdin Sane
La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.
Kokeshi Dolls Aladdin Sane
La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.
Kokeshi Dolls Aladdin Sane
La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.
Kokeshi Dolls Aladdin Sane
La muñeca Kokeshi David Bowie celebra a uno de los pioneros más influyentes de la música y el arte. Inspirada en su inolvidable personaje Aladdin Sane de los años 70, esta pieza captura el icónico rayo que marcó su estilo y espíritu audaz. Con un diseño que rinde homenaje a su legado de innovación y autenticidad, esta muñeca es un tributo a su capacidad de inspirar a generaciones a abrazar su individualidad y desafiar lo convencional. Ideal para coleccionistas y amantes de la música, es una representación única de su impacto eterno.